首頁 > 市場調查報告書 > 消費品

娛樂 Contents 音樂

市場調查報告書

商品編碼

1448652

全球現場音樂市場研究報告 - 2024 年至 2032 年產業分析、規模、佔有率、成長、趨勢和預測

Global Live Music Market Research Report - Industry Analysis, Size, Share, Growth, Trends and Forecast 2024 to 2032

出版日期: 2024年02月01日 | 出版商:

Value Market Research | 英文 132 Pages | 商品交期: 最快1-2個工作天內

價格

簡介目錄圖表

全球現場音樂市場需求預計將從 2023 年的 122.2 億美元達到近 209.7 億美元的市場規模，2024-2032 年研究期間CAGR為 6.19%。

現場音樂是指音樂家在觀眾面前即時演奏和唱歌的表演。這可以涵蓋多種類型和場景，包括音樂會、節日、俱樂部表演等。

市場動態

現場音樂表演的普遍吸引力和對共享文化體驗的內在渴望促成了現場音樂活動的持久流行。音樂會、節慶和表演在藝術家和觀眾之間提供了獨特的聯繫，培養了社區意識和享受感。此外，活動製作、音響技術和場館設施的進步增強了整體現場音樂體驗，吸引了各種各樣的音樂會觀眾。現場音樂在娛樂產業中的重要性日益增加，包括門票銷售和商品收入，進一步推動了市場成長。隨著藝術家和推廣者適應不斷變化的消費者偏好並擁抱數位平台，現場音樂市場有望持續擴張，為觀眾提供跨各種流派和環境的身臨其境且令人難忘的現場音樂體驗。

研究報告涵蓋波特五力模型、市場吸引力分析和價值鏈分析。這些工具有助於清晰地了解行業結構並評估全球範圍內的競爭吸引力。此外，這些工具也對全球現場音樂市場的各個細分市場進行了包容性評估。現場音樂產業的成長和趨勢為本研究提供了整體方法。

市場區隔

現場音樂市場報告的這一部分提供了國家和地區層面細分市場的詳細資料，從而幫助策略師確定相應產品或服務的目標人群以及即將到來的機會。

按應用

派對
音樂會
其他

按類型

金屬
岩石
古典
流行音樂
布魯斯
電子樂
其他

區域分析

本節涵蓋區域前景，重點介紹北美、歐洲、亞太地區、拉丁美洲以及中東和非洲現場音樂市場當前和未來的需求。此外，該報告重點關注所有主要地區各個應用領域的需求、估計和預測。

該研究報告還涵蓋了市場主要參與者的全面概況以及對全球競爭格局的深入了解。現場音樂市場的主要參與者包括 Ticketmaster、Live Nation、Eventbrite、AEG Presents、Songkick、StubHub、Sofar Sounds、See Tickets、CTS Eventim、AXS、Viagogo、Bandsintown、SeatGeek、Pollstar、Dice。本節包含競爭格局的整體視圖，包括各種策略發展，例如關鍵併購、未來產能、合作夥伴關係、財務概況、合作、新產品開發、新產品發布和其他發展。

如果您有任何客製化要求，請寫信給我們。我們的研究團隊可以根據您的需求提供客製化報告。

區域展望
介紹
北美銷售分析
- 概覽、歷史與預測資料銷售分析
- 北美按細分市場銷售分析
- 北美按國家銷售分析
- 美國銷售分析
- 加拿大銷售分析
- 墨西哥銷售分析
歐洲銷售分析
- 概覽、歷史與預測資料銷售分析
- 歐洲按細分市場銷售分析
- 歐洲按國家銷售分析
- 英國銷售分析
- 法國銷售分析
- 德國銷售分析
- 義大利銷售分析
- 俄羅斯銷售分析
- 歐洲其他地區銷售分析
亞太地區銷售分析
- 概覽、歷史與預測資料銷售分析
- 亞太地區按細分市場銷售分析
- 亞太地區國家/地區銷售分析
- 中國銷售分析
- 印度銷售分析
- 日本銷售分析
- 韓國銷售分析
- 澳洲銷售分析
- 東南亞銷售分析
- 亞太地區其他地區銷售分析
拉丁美洲銷售分析
- 概覽、歷史與預測資料銷售分析
- 拉丁美洲按細分市場銷售分析
- 拉丁美洲按國家銷售分析
- 巴西銷售分析
- 阿根廷銷售分析
- 秘魯銷售分析
- 智利銷售分析
- 拉丁美洲其他地區銷售分析
中東和非洲銷售分析
- 概覽、歷史與預測資料銷售分析
- 中東和非洲按細分市場銷售分析
- 中東和非洲國家銷售分析
- 沙烏地阿拉伯銷售分析
- 阿拉伯聯合大公國銷售分析
- 以色列銷售分析
- 南非銷售分析
- 中東其他地區和非洲銷售分析

第 8 章：現場音樂公司的競爭格局

現場音樂市場競賽
夥伴關係/協作/協議
併購
新產品發布
其他發展

第 9 章：公司簡介

頂級公司市佔率分析
市場集中度
Ticketmaster

公司簡介
公司收入
產品
最近的發展

Live Nation

公司簡介
公司收入
產品
最近的發展

Eventbrite

公司簡介
公司收入
產品
最近的發展

AEG Presents

公司簡介
公司收入
產品
最近的發展

Songkick

公司簡介
公司收入
產品
最近的發展

StubHub

公司簡介
公司收入
產品
最近的發展

Sofar Sounds

公司簡介
公司收入
產品
最近的發展

See Tickets

公司簡介
公司收入
產品
最近的發展

CTS Eventim

公司簡介
公司收入
產品
最近的發展

公司簡介
公司收入
產品
最近的發展

Viagogo

公司簡介
公司收入
產品
最近的發展

Bandsintown

公司簡介
公司收入
產品
最近的發展

SeatGeek

公司簡介
公司收入
產品
最近的發展

Pollstar

公司簡介
公司收入
產品
最近的發展

Dice

公司簡介
公司收入
產品
最近的發展

注意 - 在公司概況中，財務詳細資訊和近期發展視情況而定，或者如果是私人公司，則可能不包括在內

簡介目錄圖表

Product Code: VMR112113688

The global demand for Live Music Market is presumed to reach the market size of nearly USD 20.97 Billion by 2032 from USD 12.22 Billion in 2023 with a CAGR of 6.19% under the study period 2024 - 2032.

Live music refers to a performance where musicians play and sing in real time before an audience. This can encompass a wide range of genres and settings, including concerts, festivals, club performances, and more.

MARKET DYNAMICS

The universal appeal of live musical performances and the inherent desire for shared cultural experiences contribute to the enduring popularity of live music events. Concerts, festivals, and performances provide a unique connection between artists and audiences, fostering a sense of community and enjoyment. Additionally, advancements in event production, sound technology, and venue facilities enhance the overall live music experience, attracting a diverse range of concertgoers. The growing importance of live music in the entertainment industry, including revenue from ticket sales and merchandise, further drives market growth. As artists and promoters adapt to changing consumer preferences and embrace digital platforms, the live music market is poised for continuous expansion, offering audiences immersive and memorable live music experiences across various genres and settings.

The research report covers Porter's Five Forces Model, Market Attractiveness Analysis, and Value Chain analysis. These tools help to get a clear picture of the industry's structure and evaluate the competition attractiveness at a global level. Additionally, these tools also give an inclusive assessment of each segment in the global market of live music. The growth and trends of live music industry provide a holistic approach to this study.

MARKET SEGMENTATION

This section of the live music market report provides detailed data on the segments at country and regional level, thereby assisting the strategist in identifying the target demographics for the respective product or services with the upcoming opportunities.

By Application

Party
Concerts
Others

By Type

Metal
Rock
Classical
Pop
Blues
Electronica
Others

REGIONAL ANALYSIS

This section covers the regional outlook, which accentuates current and future demand for the Live Music market across North America, Europe, Asia-Pacific, Latin America, and Middle East & Africa. Further, the report focuses on demand, estimation, and forecast for individual application segments across all the prominent regions.

The research report also covers the comprehensive profiles of the key players in the market and an in-depth view of the competitive landscape worldwide. The major players in the Live Music market include Ticketmaster, Live Nation, Eventbrite, AEG Presents, Songkick, StubHub, Sofar Sounds, See Tickets, CTS Eventim, AXS, Viagogo, Bandsintown, SeatGeek, Pollstar, Dice. This section consists of a holistic view of the competitive landscape that includes various strategic developments such as key mergers & acquisitions, future capacities, partnerships, financial overviews, collaborations, new product developments, new product launches, and other developments.

In case you have any custom requirements, do write to us. Our research team can offer a customized report as per your need.

1 . PREFACE

1.1. Report Description
- 1.1.1. Objective
- 1.1.2. Target Audience
- 1.1.3. Unique Selling Proposition (USP) & offerings
1.2. Research Scope
1.3. Research Methodology
- 1.3.1. Market Research Process
- 1.3.2. Market Research Methodology

2 . EXECUTIVE SUMMARY

2.1. Highlights of Market
2.2. Global Market Snapshot

3 . LIVE MUSIC - INDUSTRY ANALYSIS

3.1. Introduction - Market Dynamics
3.2. Market Drivers
3.3. Market Restraints
3.4. Opportunities
3.5. Industry Trends
3.6. Porter's Five Force Analysis
3.7. Market Attractiveness Analysis
- 3.7.1 Market Attractiveness Analysis By Application
- 3.7.2 Market Attractiveness Analysis By Type
- 3.7.3 Market Attractiveness Analysis By Region

4 . VALUE CHAIN ANALYSIS

4.1. Value Chain Analysis
4.2. Raw Material Analysis
- 4.2.1. List of Raw Materials
- 4.2.2. Raw Material Manufactures List
- 4.2.3. Price Trend of Key Raw Materials
4.3. List of Potential Buyers
4.4. Marketing Channel
- 4.4.1. Direct Marketing
- 4.4.2. Indirect Marketing
- 4.4.3. Marketing Channel Development Trend

5 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY APPLICATION

5.1 Overview by Application
5.2 Historical and Forecast Data
5.3 Analysis by Application
5.4 Party Historic and Forecast Sales by Regions
5.5 Concerts Historic and Forecast Sales by Regions
5.6 Others Historic and Forecast Sales by Regions

6 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY TYPE

6.1 Overview by Type
6.2 Historical and Forecast Data
6.3 Analysis by Type
6.4 Metal Historic and Forecast Sales by Regions
6.5 Rock Historic and Forecast Sales by Regions
6.6 Classical Historic and Forecast Sales by Regions
6.7 Pop Historic and Forecast Sales by Regions
6.8 Blues Historic and Forecast Sales by Regions
6.9 Electronica Historic and Forecast Sales by Regions
6.10. Others Historic and Forecast Sales by Regions

7 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY GEOGRAPHY

7.1. Regional Outlook
7.2. Introduction
7.3. North America Sales Analysis
- 7.3.1. Overview, Historic and Forecast Data Sales Analysis
- 7.3.2. North America By Segment Sales Analysis
- 7.3.3. North America By Country Sales Analysis
- 7.3.4. United State Sales Analysis
- 7.3.5. Canada Sales Analysis
- 7.3.6. Mexico Sales Analysis
7.4. Europe Sales Analysis
- 7.4.1. Overview, Historic and Forecast Data Sales Analysis
- 7.4.2. Europe by Segment Sales Analysis
- 7.4.3. Europe by Country Sales Analysis
- 7.4.4. United Kingdom Sales Analysis
- 7.4.5. France Sales Analysis
- 7.4.6. Germany Sales Analysis
- 7.4.7. Italy Sales Analysis
- 7.4.8. Russia Sales Analysis
- 7.4.9. Rest Of Europe Sales Analysis
7.5. Asia Pacific Sales Analysis
- 7.5.1. Overview, Historic and Forecast Data Sales Analysis
- 7.5.2. Asia Pacific by Segment Sales Analysis
- 7.5.3. Asia Pacific by Country Sales Analysis
- 7.5.4. China Sales Analysis
- 7.5.5. India Sales Analysis
- 7.5.6. Japan Sales Analysis
- 7.5.7. South Korea Sales Analysis
- 7.5.8. Australia Sales Analysis
- 7.5.9. South East Asia Sales Analysis
- 7.5.10. Rest Of Asia Pacific Sales Analysis
7.6. Latin America Sales Analysis
- 7.6.1. Overview, Historic and Forecast Data Sales Analysis
- 7.6.2. Latin America by Segment Sales Analysis
- 7.6.3. Latin America by Country Sales Analysis
- 7.6.4. Brazil Sales Analysis
- 7.6.5. Argentina Sales Analysis
- 7.6.6. Peru Sales Analysis
- 7.6.7. Chile Sales Analysis
- 7.6.8. Rest of Latin America Sales Analysis
7.7. Middle East & Africa Sales Analysis
- 7.7.1. Overview, Historic and Forecast Data Sales Analysis
- 7.7.2. Middle East & Africa by Segment Sales Analysis
- 7.7.3. Middle East & Africa by Country Sales Analysis
- 7.7.4. Saudi Arabia Sales Analysis
- 7.7.5. UAE Sales Analysis
- 7.7.6. Israel Sales Analysis
- 7.7.7. South Africa Sales Analysis
- 7.7.8. Rest Of Middle East And Africa Sales Analysis

8 . COMPETITIVE LANDSCAPE OF THE LIVE MUSIC COMPANIES

8.1. Live Music Market Competition
8.2. Partnership/Collaboration/Agreement
8.3. Merger And Acquisitions
8.4. New Product Launch
8.5. Other Developments

9 . COMPANY PROFILES OF LIVE MUSIC INDUSTRY

9.1. Top Companies Market Share Analysis
9.2. Market Concentration Rate
9.3. Ticketmaster
- 9.3.1. Company Overview
- 9.3.2. Company Revenue
- 9.3.3. Products
- 9.3.4. Recent Developments
9.4. Live Nation
- 9.4.1. Company Overview
- 9.4.2. Company Revenue
- 9.4.3. Products
- 9.4.4. Recent Developments
9.5. Eventbrite
- 9.5.1. Company Overview
- 9.5.2. Company Revenue
- 9.5.3. Products
- 9.5.4. Recent Developments
9.6. AEG Presents
- 9.6.1. Company Overview
- 9.6.2. Company Revenue
- 9.6.3. Products
- 9.6.4. Recent Developments
9.7. Songkick
- 9.7.1. Company Overview
- 9.7.2. Company Revenue
- 9.7.3. Products
- 9.7.4. Recent Developments
9.8. StubHub
- 9.8.1. Company Overview
- 9.8.2. Company Revenue
- 9.8.3. Products
- 9.8.4. Recent Developments
9.9. Sofar Sounds
- 9.9.1. Company Overview
- 9.9.2. Company Revenue
- 9.9.3. Products
- 9.9.4. Recent Developments
9.10. See Tickets
- 9.10.1. Company Overview
- 9.10.2. Company Revenue
- 9.10.3. Products
- 9.10.4. Recent Developments
9.11. CTS Eventim
- 9.11.1. Company Overview
- 9.11.2. Company Revenue
- 9.11.3. Products
- 9.11.4. Recent Developments
9.12. AXS
- 9.12.1. Company Overview
- 9.12.2. Company Revenue
- 9.12.3. Products
- 9.12.4. Recent Developments
9.13. Viagogo
- 9.13.1. Company Overview
- 9.13.2. Company Revenue
- 9.13.3. Products
- 9.13.4. Recent Developments
9.14. Bandsintown
- 9.14.1. Company Overview
- 9.14.2. Company Revenue
- 9.14.3. Products
- 9.14.4. Recent Developments
9.15. SeatGeek
- 9.15.1. Company Overview
- 9.15.2. Company Revenue
- 9.15.3. Products
- 9.15.4. Recent Developments
9.16. Pollstar
- 9.16.1. Company Overview
- 9.16.2. Company Revenue
- 9.16.3. Products
- 9.16.4. Recent Developments
9.17. Dice
- 9.17.1. Company Overview
- 9.17.2. Company Revenue
- 9.17.3. Products
- 9.17.4. Recent Developments