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2023-2030全球音樂出版市場
市場調查報告書
商品編碼
1270956

2023-2030全球音樂出版市場

Global Music Publishing Market 2023-2030
出版日期: | 出版商: Orion Market Research | 英文 | 商品交期: 2-3個工作天內

價格

到 2022 年，全球音樂出版市場的價值將達到 57 億美元，預計到 2030 年將達到 90 億美元，預測期內（2023 年至 2030 年）的複合年增長率為 6.7%。 全球不斷發展的音樂產業是支持音樂出版市場增長的關鍵因素之一。 對音樂的興趣和熱情日益增長，尤其是在年輕一代中，導致全球舉辦的音樂會和現場表演的數量增加，直接推動了市場的增長。 此外，吸引大量觀眾的 EDM（電子舞曲）需求不斷增長也推動了這一增長。 邁阿密的超級音樂節和墨西哥的調酒師、促銷員和音樂家 (BPM) 節等 EDM 音樂節的成功刺激了全球現場音樂的發展。 由於這些因素，市場上的主要參與者也在採取戰略，尤其是合作和合併，以保持競爭力。 例如，2022 年 5 月，數字收藏品市場 LimeWire 將與環球音樂集團 (UMG) 合作，成為第一個合作讓更多人接觸到數字音樂收藏品的主要音樂品牌。

細分市場展望

全球音樂出版市場根據版稅進行細分。 基於版稅，市場分為性能、同步、數字收入、物理收入和其他。 其中，隨著消費者從實體音樂轉向數字音樂，數字收入子部分預計在預測期內將佔據很大的市場份額。

數字收入細分市場有望主導全球音樂出版市場

在預測期內，數字收入子部分預計將佔全球音樂出版市場的很大份額。 音樂產業幾年前開始隨著流媒體復甦，但作曲家和出版商擔心流媒體支付結構不均，錄製音樂的權利人獲得的報酬是出版收入的三倍，音樂行業反對不平衡的權力和支付結構 音樂出版公司的主要業務是依法取得和登記音樂的著作權，並在錄音、廣播、電視、電影、直播、印刷或其他媒體中發布和許可使用音樂。

區域展望

全球音樂出版市場分為北美（美國、加拿大）、歐洲（意大利、西班牙、德國、法國等）、亞太地區（印度、中國、日本、韓國等）和其他地區世界（中東和非洲、中美洲和南美洲）按地區進一步細分。 可以根據要求在特定區域或國家級別分析市場。 其中，由於音樂數字發行的廣泛接受，預計北美將佔據全球音樂出版市場的重要份額。

亞太地區有望主導全球音樂出版市場

就音樂出版收入而言，北美是增長最快的地區之一。 北美音樂出版商正在通過他們的樂譜增加更多收入。 美國占據全球音樂出版市場的最高份額。 這種增長背後的推動力是該國大量獨立和傳統的音樂出版商，為藝術家展示才華提供了最大的機會。 該地區已經建立了幾個夥伴關係。 Atlas Music Group 與 Memoryrain Music Group 簽署了全球管理和營銷協議。 納什維爾音樂行業資深人士喬迪威廉姆斯 (Jody Williams) 推出了喬迪威廉姆斯歌曲 (Jody Williams Songs)，這是與華納查佩爾音樂納什維爾 (Warner Chappell Music Nashville) 的合資出版企業。 此外，美國音樂節的上升趨勢預計將進一步影響公共表演許可的收入。 美國目前大約有800個音樂節。

美國市場競爭激烈，既有大小音樂發行商，也有大型音樂發行商。 因此，出版商面臨著在不犧牲質量的情況下增加年產量的壓力。 此外，該國消費者的偏好正在從實體銷售轉向數字銷售。 預計這些因素將推動市場的增長。

內容

第 1 章報告概述

行業現狀分析及發展前景

  • 研究方法和工具
  • 市場細分
    • 按細分
    • 按地區

第 2 章市場概述和洞察

  • 調查範圍
  • 分析師觀點和當前市場趨勢
    • 主要發現
    • 建議
    • 結論

第三章競爭格局

  • 主要公司分析
    • 概覽
    • 財務分析
    • SWOT 分析
    • 近期趨勢
  • 關鍵策略分析

第四章市場細分

  • 全球音樂出版市場：按版稅分類
    • 表現
    • 同步
    • 數字收入
    • 體力收入
    • 其他

第五章區域分析

  • 北美
    • 美國
    • 加拿大
  • 歐洲
    • 英國
    • 德國
    • 意大利
    • 西班牙
    • 法國
    • 其他歐洲
  • 亞太地區
    • 中國
    • 印度
    • 日本
    • 韓國
    • 其他亞太地區
  • 世界其他地區

第六章公司簡介

  • Abkco Music and Records Inc.
  • Atlas Music Publishing LLC
  • Bertelsmann SE and Co. KGaA
  • Big Yellow Dog Music
  • Black River Entertainment
  • BMG Rights Management
  • Broadcast Music Inc.
  • Concord Music Group Inc.
  • Downtown Music Holdings Group of Companies
  • Hipgnosis Songs Fund Ltd.
  • Kobalt Music Group Ltd.
  • Peermusic Inc.
  • Reach Global Inc.
  • Round Hill Music LP
  • Sony Group Corp.
  • SoundExchange Inc.
  • Super Cassettes Industries Ltd.
  • The Walt Disney Co.
  • Universal Music Group NV
  • Warner Music Group Corp
  • Wixen Music Publishing Inc.
Product Code: OMR2027243

The global music publishing market was valued at $5.7 billion in 2022, and is projected to reach $9.0 billion by 2030, registering a CAGR of 6.7% during the forecast period (2023-2030). The growing music industry across the globe is one of the key drivers supporting the growth of the music publishing market. The growing interest in music and passion for music among people, especially the younger generation has increased the number of concerts and live performances held globally, which is directly bolstering the market growth. This growth is further driven by the growing demand for EDM (electronic dance music), which draws large crowds. The success of EDM music festivals such as Ultra Music Festival in Miami and the Bartenders, Promoters, and Musicians (BPM) Festival in Mexico is spurring the growth of live music globally. Owing to such factor, the key players operating in the market are also adopting strategies such as collaborations and mergers, among others to stay competitive. For instance, in May 2022, LimeWire, a digital collectibles marketplace, announced that it had struck its first major music label partnership with Universal Music Group (UMG) and will collaborate on making digital music collectibles accessible to a wider audience.

Segmental Outlook:

The global music publishing market is segmented based on royalty. Based on the royalty, the market is sub-segmented into performance, synchronization, digital revenue, physical revenue, and others. Among these, the digital revenue sub-segment is expected to cater to a prominent market share over the forecast period, owing to the consumers' shift from physical to digital music.

The Digital Revenue Sub-Segment is Anticipated to Hold a Prominent Share of the Global Music Publishing Market

The digital revenue sub-segment is anticipated to hold a prominent share of the global music publishing market over the forecast period. The music industry began its streaming-fueled recovery a few years ago, and the songwriting and publishing communities have been opposing the uneven payment structure of streaming, which sees recorded-music rights holders being paid three times what publishing is paid, and the imbalanced power and payment structures of the music industry. Music publisher companies are primarily involved in acquiring and registering copyrights for musical compositions under the law and publicizing and authorizing the use of these compositions in recordings, radio, television, motion pictures, live performances, print, or other media.

Regional Outlooks:

The global music publishing market is further segmented based on geography including North America (the US, and Canada), Europe (Italy, Spain, Germany, France, and Others), Asia-Pacific (India, China, Japan, South Korea, and Others), and the Rest of the World (the Middle East & Africa, and Latin America). The market can be analyzed for a particular region or country level as per the requirement. Among these, North America is expected to hold a considerable share of the music publishing market across the globe, owing to the wide acceptance of the digital distribution of music.

The Asia-Pacific Region Is Expected To Hold Prominent Share in the Global Music Publishing Market

With regard to music publishing, North America is one of the fastest-growing regions in terms of revenue. North American music publishers are gaining momentum with sheet music, adding more revenue. The USA contributed the highest share of the global music publishing market. The growth is driven by numerous independent and traditional music publishing houses in the country, offering the maximum opportunity for artists to showcase their talent. The region witnessed several partnerships. The Atlas Music Group has made a global administration and marketing deal with Memory Lane Music Group. Nashville music industry veteran Jody Williams launched Jody Williams Songs, a joint publishing venture with Warner Chappell Music Nashville. In addition, the growing trend of music festivals in the United States is expected to further influence revenues from public performance licenses. Currently, there are about 800 music festivals in the United States.

The market in the United States is highly competitive, with both small and large music publishing houses present. This puts publishing houses under pressure to increase the number of albums they release yearly without sacrificing quality. The country is also shifting consumer preferences away from physical and digital sales. This factor is expected to help the market grow.

Market Players Outlook:

The major companies serving the global music publishing market include Sony Music Publishing LLC, Universal Music Publishing Group, Warner/Chappell Music Inc., Broadcast Music Inc., Concord Music Group Inc., and others. The market players are considerably contributing to the market growth by the adoption of various strategies including mergers and acquisitions, partnerships, collaborations, funding, and new product launches, to stay competitive in the market. For instance, in March 2021, Sony Music Publishing acquired the song catalog of the incomparable Paul Simon, one of the most significant singer-songwriters. The acquisition includes Paul Simon's classic songs spanning more than six decades.

The Report Covers:

  • Market value data analysis of 2022 and forecast to 2030.
  • Annualized market revenues ($ million) for each market segment.
  • Country-wise analysis of major geographical regions.
  • Key companies operating in the global music publishing market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
  • Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
  • Analysis of market-entry and market expansion strategies.
  • Competitive strategies by identifying 'who-stands-where' in the market.

Table of Contents

1. Report Summary

Current Industry Analysis and Growth Potential Outlook

  • 1.1. Research Methods and Tools
  • 1.2. Market Breakdown
    • 1.2.1. By Segments
    • 1.2.2. By Region

2. Market Overview and Insights

  • 2.1. Scope of the Report
  • 2.2. Analyst Insight & Current Market Trends
    • 2.2.1. Key Findings
    • 2.2.2. Recommendations
    • 2.2.3. Conclusion

3. Competitive Landscape

  • 3.1. Key Company Analysis
    • 3.1.1. Overview
    • 3.1.2. Financial Analysis
    • 3.1.3. SWOT Analysis
    • 3.1.4. Recent Developments
  • 3.2. Key Strategy Analysis

4. Market Segmentation

  • 4.1. Global Music Publishing Market by Royalty
    • 4.1.1. Performance
    • 4.1.2. Synchronization
    • 4.1.3. Digital Revenue
    • 4.1.4. Physical Revenue
    • 4.1.5. Others

5. Regional Analysis

  • 5.1. North America
    • 5.1.1. United States
    • 5.1.2. Canada
  • 5.2. Europe
    • 5.2.1. UK
    • 5.2.2. Germany
    • 5.2.3. Italy
    • 5.2.4. Spain
    • 5.2.5. France
    • 5.2.6. Rest of Europe
  • 5.3. Asia-Pacific
    • 5.3.1. China
    • 5.3.2. India
    • 5.3.3. Japan
    • 5.3.4. South Korea
    • 5.3.5. Rest of Asia-Pacific
  • 5.4. Rest of the World

6. Company Profiles

  • 6.1. Abkco Music and Records Inc.
  • 6.2. Atlas Music Publishing LLC
  • 6.3. Bertelsmann SE and Co. KGaA
  • 6.4. Big Yellow Dog Music
  • 6.5. Black River Entertainment
  • 6.6. BMG Rights Management
  • 6.7. Broadcast Music Inc.
  • 6.8. Concord Music Group Inc.
  • 6.9. Downtown Music Holdings Group of Companies
  • 6.10. Hipgnosis Songs Fund Ltd.
  • 6.11. Kobalt Music Group Ltd.
  • 6.12. Peermusic Inc.
  • 6.13. Reach Global Inc.
  • 6.14. Round Hill Music LP
  • 6.15. Sony Group Corp.
  • 6.16. SoundExchange Inc.
  • 6.17. Super Cassettes Industries Ltd.
  • 6.18. The Walt Disney Co.
  • 6.19. Universal Music Group NV
  • 6.20. Warner Music Group Corp
  • 6.21. Wixen Music Publishing Inc.

LIST OF TABLES

  • 1. GLOBAL MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 2. GLOBAL PERFORMANCE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 3. GLOBAL SYNCHRONIZATION IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 4. GLOBAL DIGITAL REVENUE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 5. GLOBAL PHYSICAL REVENUE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 6. GLOBAL OTHER ROYALTIES IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 7. GLOBAL MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 8. NORTH AMERICA MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 9. NORTH AMERICA MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 10. EUROPEAN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 11. EUROPEAN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 12. ASIA-PACIFIC MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 13. ASIA-PACIFIC MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 14. REST OF THE WORLD MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 15. REST OF THE WORLD MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)

LIST OF FIGURES

  • 1. GLOBAL MUSIC PUBLISHING MARKET SHARE ANALYSIS BY ROYALTY, 2022 VS 2030 (%)
  • 2. GLOBAL PERFORMANCE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 3. GLOBAL SYNCHRONIZATION IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 4. GLOBAL DIGITAL REVENUE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 5. GLOBAL PHYSICAL REVENUE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 6. GLOBAL OTHER ROYALTIES IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 7. GLOBAL MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 8. US MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 9. CANADA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 10. UK MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 11. FRANCE MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 12. GERMANY MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 13. ITALY MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 14. SPAIN MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 15. REST OF EUROPE MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 16. INDIA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 17. CHINA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 18. JAPAN MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 19. SOUTH KOREA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 20. REST OF ASIA-PACIFIC MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 21. REST OF THE WORLD MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)