市場調查報告書

全球作曲軟體市場:樂器模擬,各作業系統,不同引進形態,各地區 - 全球市場規模,佔有率,發展,成長,需求預測

Music Composing Software Market by Instrument Simulation, by Operating System, by Deployment, by Geography - Global Market Size, Share, Development, Growth, and Demand Forecast, 2013-2023

出版商 Prescient & Strategic Intelligence Private Limited 商品編碼 719418
出版日期 內容資訊 英文 106 Pages
商品交期: 2-3個工作天內
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全球作曲軟體市場:樂器模擬,各作業系統,不同引進形態,各地區 - 全球市場規模,佔有率,發展,成長,需求預測 Music Composing Software Market by Instrument Simulation, by Operating System, by Deployment, by Geography - Global Market Size, Share, Development, Growth, and Demand Forecast, 2013-2023
出版日期: 2018年09月01日內容資訊: 英文 106 Pages
簡介

本報告提供全球作曲軟體市場相關調查分析,提供市場概要,市場趨勢等相關考察,總括性彙整各樂器模擬,各作業系統,不同引進形態,各地區市場分析,主要企業的簡介等資訊。

第1章 背景調查

第2章 調查方法

第3章 摘要整理

第4章 簡介

  • 市場區隔定義
  • 價值鏈分析
  • 市場動態
  • 波特的五力分析

第5章 全球市場的規模與預測

  • 各樂器模擬
  • 各作業系統
  • 不同引進形態
  • 各地區

第6章 北美市場規模與預測

  • 各樂器模擬
  • 各作業系統
  • 不同引進形態
  • 各國

第7章 歐洲市場規模與預測

  • 各樂器模擬
  • 各作業系統
  • 不同引進形態
  • 各國

第8章 亞太地區市場規模與預測

  • 各樂器模擬
  • 各作業系統
  • 不同引進形態
  • 各國

第9章 全球其他各國的市場規模與預測

  • 各樂器模擬
  • 各作業系統
  • 不同引進形態
  • 各國

第10章 競爭情形

  • 主要企業的競爭分析
  • 主要企業的產品基準

第11章 企業簡介

  • MakeMusic Inc.
  • Avid Technology Inc.
  • Maestro Music Software
  • Lugert Verlag GmbH & Co. KG
  • Notation Software Germany GmbH
  • PreSonus Audio Electronics Inc.
  • NoteWorthy Software Inc.
  • Passport Music Software LLC
  • Sion Software

第12章 附錄

目錄

Global music composing software market is expected to reach $242.1 million by 2023, growing media and entertainment industry, and rising inclination towards music composing applications are the key factors driving the growth of the market.

In terms of instrument simulation, the music composing software market is categorized into guitar, piano, full orchestra, drums and percussions, and pipe organ. Out of these, guitar simulation accounted for 42% revenue share in 2017, followed by piano and others. The largest share held by guitar simulation category is mainly attributed to the increasing number of guitarists, globally. Furthermore, the regional markets, such as North America and Europe are largely dominated by guitarists including acoustic guitarist, electric lead, and bass guitarists, which further support the market demand for guitar simulation software.

Based on operating system (OS), the music composing software market is categorized into MAC, Windows, iOS, Android, Linux, and Berkeley Software Distribution (BSD). Out of these, MAC OS is largely preferred by end users, predominantly due to large use of MAC OS based laptops and desktops by music schools, individuals, and studios. MAC OS accounted over 50% share in the global market, in 2017.

During the forecast period, the music composing software market is projected to witness the fastest growth in APAC, at a CAGR of 25.8%. This can be attributed to growing media and entertainment industry in the developing economies in the region, predominantly, in Australia, Japan, South Korea, China, and India; and rising number of live music concerts. Moreover, various music associations in the region, including Japanese Society of Rights of Authors, Composers, and Publishers (JSRACP); and Music Composer Association of India (MCAI) are taking initiatives to increase awareness about the different music composing software through conferences, live music concerts, and music summits.

Globally, the media and entertainment industry has been witnessing transformational growth in recent years. Factors such as multiple software platforms, digitization of instruments, multiple-devices such as laptops and mobile phones, along with technological advancements have remodeled the industry dynamics. This is a notable factor spurring the demand for music composition software in the global market. According to International Trade Administration, the U.S. Department of Commerce, the global media and entertainment market generated $1.9 trillion revenue in 2016.

Also, with the growing music industry in countries, such as the U.S., the U.K., Germany, Australia, and Canada, the adoption of composing software has been continuously increasing by music schools, musicians, and individuals. Rising number of musicians has also spurred the demand for composing software in these countries.

Supporting music programs by academic institutes is expected to offer growth opportunities to the market players, which can impact the growth of the global music composing software market. Some of the major universities including Princeton University, Harvard University, Berklee College of Music, and Cornell University hold Ivy league status and offer music programs, utilizing music composing software. Thus, incorporation of composing software in these academic institutes offers a lucrative growth opportunity to the market players.

Presently, the market is at niche stage, recording healthy growth rate year-over-year, which has increased the competition among principal existing competitors like MakeMusic Inc., Avid Technology Inc., and Maestro Music Software, acquired majority of the market revenue. Apart from this, the industry is exhibiting large number of companies, primarily from music production. For instance, companies like Steinberg Media Technologies GmbH (one of the leading players in the music production market), recently entered into music composing software industry with "Dorico" brand.

Some of the key players operating in the music composing software market are MakeMusic Inc., Avis Technology Inc., Maestro Music Software, Lugert Verlag GmbH & Co. KG, Notation Software Germany GmbH, PreSonus Audio Electronics Inc., NoteWorthy Software Inc., Passport Music Software LLC, and Sion Software.

Table of Content

Chapter 1. Research Background

  • 1.1 Research Objectives
  • 1.2 Market Definition
  • 1.3 Research Scope
    • 1.3.1 Market Segmentation by Instrument Simulation
    • 1.3.2 Market Segmentation by Operating System
    • 1.3.3 Market Segmentation by Deployment
    • 1.3.4 Market Segmentation by Geography
    • 1.3.5 Analysis Period
    • 1.3.6 Market Data Reporting Unit
      • 1.3.6.1 Value
  • 1.4 Key Stakeholders

Chapter 2. Research Methodology

  • 2.1 Secondary Research
  • 2.2 Primary Research
    • 2.2.1 Breakdown of Primary Research Respondents
      • 2.2.1.1 By region
      • 2.2.1.2 By industry participant
      • 2.2.1.3 By company type
  • 2.3 Market Size Estimation
  • 2.4 Data Triangulation
  • 2.5 Assumptions for the Study

Chapter 3. Executive Summary

Chapter 4. Introduction

  • 4.1 Definition of Market Segments
    • 4.1.1 By Instrument Simulation
      • 4.1.1.1 Piano
      • 4.1.1.2 Pipe organ
      • 4.1.1.3 Guitar
      • 4.1.1.4 Full orchestra
      • 4.1.1.5 Drums and percussions
    • 4.1.2 By Operating System
      • 4.1.2.1 Windows
      • 4.1.2.2 Mac
      • 4.1.2.3 iOS
      • 4.1.2.4 Android
      • 4.1.2.5 Linux
      • 4.1.2.6 BSD
    • 4.1.3 By Deployment
      • 4.1.3.1 On-premises
      • 4.1.3.2 Cloud
  • 4.2 Value Chain Analysis
  • 4.3 Market Dynamics
    • 4.3.1 Trends
      • 4.3.1.1 Broadening customization in music industry
      • 4.3.1.2 Increase in availability of online music tutorials
    • 4.3.2 Drivers
      • 4.3.2.1 Growing media and entertainment industry
      • 4.3.2.2 Rising inclination towards music composing software
      • 4.3.2.3 Increasing number of live concerts and music events
      • 4.3.2.4 Impact analysis of drivers on market forecast
    • 4.3.3 Restraints
      • 4.3.3.1 Availability of free music software and educational resources
      • 4.3.3.2 Low awareness and cost factor associated with music composing software
      • 4.3.3.3 Impact analysis of restraints on market forecast
    • 4.3.4 Opportunities
      • 4.3.4.1 Supporting music programs in academic institutes
  • 4.4 Porter's Five Forces Analysis

Chapter 5. Global Market Size and Forecast

  • 5.1 By Instrument Simulation
  • 5.2 By Operating System
  • 5.3 By Deployment
  • 5.4 By Region

Chapter 6. North America Market Size and Forecast

  • 6.1 By Instrument Simulation
  • 6.2 By Operating System
  • 6.3 By Deployment
  • 6.4 By Country

Chapter 7. Europe Market Size and Forecast

  • 7.1 By Instrument Simulation
  • 7.2 By Operating System
  • 7.3 By Deployment
  • 7.4 By Country

Chapter 8. APAC Market Size and Forecast

  • 8.1 By Instrument Simulation
  • 8.2 By Operating System
  • 8.3 By Deployment
  • 8.4 By Country

Chapter 9. RoW Market Size and Forecast

  • 9.1 By Instrument Simulation
  • 9.2 By Operating System
  • 9.3 By Deployment
  • 9.4 By Country

Chapter 10. Competitive Landscape

  • 10.1 Competitive Analysis of Key Players
  • 10.2 Product Benchmarking of Key Players

Chapter 11. Company Profiles

  • 11.1 MakeMusic Inc.
    • 11.1.1 Business Overview
    • 11.1.2 Product and Service Offerings
  • 11.2 Avid Technology Inc.
    • 11.2.1 Business Overview
    • 11.2.2 Product and Service Offerings
    • 11.2.3 Key Financial Summary
  • 11.3 Maestro Music Software
    • 11.3.1 Business Overview
    • 11.3.2 Product and Service Offerings
  • 11.4 Lugert Verlag GmbH & Co. KG
    • 11.4.1 Business Overview
    • 11.4.2 Product and Service Offerings
  • 11.5 Notation Software Germany GmbH
    • 11.5.1 Business Overview
    • 11.5.2 Product and Service Offerings
  • 11.6 PreSonus Audio Electronics Inc.
    • 11.6.1 Business Overview
    • 11.6.2 Product and Service Offerings
  • 11.7 NoteWorthy Software Inc.
    • 11.7.1 Business Overview
    • 11.7.2 Product and Service Offerings
  • 11.8 Passport Music Software LLC
    • 11.8.1 Business Overview
    • 11.8.2 Product and Service Offerings
  • 11.9 Sion Software
    • 11.9.1 Business Overview
    • 11.9.2 Product and Service Offerings

Chapter 12. Appendix

  • 12.1 Abbreviations
  • 12.2 Sources and References
  • 12.3 Related Reports

LIST OF TABLES

  • TABLE 1 ANALYSIS PERIOD OF THE STUDY
  • TABLE 2 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2017)
  • TABLE 3 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2018-2023)
  • TABLE 4 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2017)
  • TABLE 5 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2018-2023)
  • TABLE 6 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2017)
  • TABLE 7 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2018-2023)
  • TABLE 8 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY REGION, $M (2013-2017)
  • TABLE 9 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY REGION, $M (2018-2023)
  • TABLE 10 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2017)
  • TABLE 11 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2018-2023)
  • TABLE 12 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2017)
  • TABLE 13 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2018-2023)
  • TABLE 14 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2017)
  • TABLE 15 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2018-2023)
  • TABLE 16 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2017)
  • TABLE 17 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2018-2023)
  • TABLE 18 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2017)
  • TABLE 19 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2018-2023)
  • TABLE 20 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2017)
  • TABLE 21 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2018-2023)
  • TABLE 22 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2017)
  • TABLE 23 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2018-2023)
  • TABLE 24 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2017)
  • TABLE 25 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2018-2023)
  • TABLE 26 APAC MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2017)
  • TABLE 27 APAC MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2018-2023)
  • TABLE 28 APAC MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2017)
  • TABLE 29 APAC MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2018-2023)
  • TABLE 30 APAC MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2017)
  • TABLE 31 APAC MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2018-2023)
  • TABLE 32 APAC MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2017)
  • TABLE 33 APAC MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2018-2023)
  • TABLE 34 ROW MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2017)
  • TABLE 35 ROW MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2018-2023)
  • TABLE 36 ROW MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2017)
  • TABLE 37 ROW MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2018-2023)
  • TABLE 38 ROW MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2017)
  • TABLE 39 ROW MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2018-2023)
  • TABLE 40 ROW MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2017)
  • TABLE 41 ROW MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2018-2023)
  • TABLE 42 MAKEMUSIC INC. - AT A GLANCE
  • TABLE 43 AVID TECHNOLOGY INC. - AT A GLANCE
  • TABLE 44 AVID TECHNOLOGY INC. - KEY FINANCIAL SUMMARY
  • TABLE 45 MAESTRO MUSIC SOFTWARE - AT A GLANCE
  • TABLE 46 LUGERT VERLAG GMBH & CO. KG - AT A GLANCE
  • TABLE 47 NOTATION SOFTWARE GERMANY GMBH - AT A GLANCE
  • TABLE 48 PRESONUS AUDIO ELECTRONICS INC - AT A GLANCE
  • TABLE 49 NOTEWORTHY SOFTWARE INC.- AT A GLANCE
  • TABLE 50 PASSPORT MUSIC SOFTWARE, LLC- AT A GLANCE
  • TABLE 51 SION SOFTWARE - AT A GLANCE

LIST OF FIGURES

  • FIG 1 RESEARCH SCOPE
  • FIG 2 RESEARCH METHODOLOGY
  • FIG 3 REGIONAL SPLIT OF PRIMARY AND SECONDARY RESEARCH
  • FIG 4 BREAKDOWN OF PRIMARY RESEARCH BY REGION
  • FIG 5 BREAKDOWN OF PRIMARY RESEARCH BY INDUSTRY PARTICIPANT
  • FIG 6 BREAKDOWN OF PRIMARY RESEARCH BY COMPANY TYPE
  • FIG 7 DATA TRIANGULATION APPROACH
  • FIG 8 GLOBAL MUSIC COMPOSING SOFTWARE MARKET SUMMARY
  • FIG 9 VALUE CHIAN ANALYSIS
  • FIG 10 BARGAINING POWER OF BUYERS
  • FIG 11 BARGAINING POWER OF SUPPLIERS
  • FIG 12 INTENSITY OF RIVALRY
  • FIG 13 THREAT OF NEW ENTRANTS
  • FIG 14 THREAT OF SUBSTITUTES
  • FIG 15 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2023)
  • FIG 16 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2023)
  • FIG 17 GLOBAL MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2023)
  • FIG 18 WORLDWIDE MAJOR MARKETS FOR MUSIC COMPOSING SOFTWARE MARKET
  • FIG 19 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT
  • FIG 20 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2023)
  • FIG 21 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2023)
  • FIG 22 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2023)
  • FIG 23 NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2023)
  • FIG 24 EUROPE MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT
  • FIG 25 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2023)
  • FIG 26 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2023)
  • FIG 27 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2023)
  • FIG 28 EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2023)
  • FIG 29 APAC MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT
  • FIG 30 APAC MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2023)
  • FIG 31 APAC MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2023)
  • FIG 32 APAC MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2023)
  • FIG 33 APAC MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2023)
  • FIG 34 ROW MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT
  • FIG 35 ROW MUSIC COMPOSING SOFTWARE MARKET, BY INSTRUMENT SIMULATION, $M (2013-2023)
  • FIG 36 ROW MUSIC COMPOSING SOFTWARE MARKET, BY OPERATING SYSTEM, $M (2013-2023)
  • FIG 37 ROW MUSIC COMPOSING SOFTWARE MARKET, BY DEPLOYMENT, $M (2013-2023)
  • FIG 38 ROW MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY, $M (2013-2023)
  • FIG 39 AVID TECHNOLOGY INC. - REVENUE SPLIT BY PRODUCT CATEGORY AND GEOGRAPHY (2017)
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