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市場調查報告書
中國的行動音樂市場
Mobile Music in China: Making the Right Noises
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中國的行動音樂市場 是由出版商Maverick China Research在2006年11月所出版的。
這份英文市場調查報告書包含59 Pages 價格從美金2200起跳。
提供與中國通訊、IT、媒體相關調查及顧問服務的 Maverick China Research(中國),針對中國的行動音樂市場進行調查,經系統整理調查結果後出版報告書 "Mobile Music in China: Making the Right Noises" 。
本報告書內容包括:中國行動音樂市場的趨勢分析、價值鏈概要、收入分配模式、來電音樂、音樂IVR等各市場的概要、服務提供業者的資料、未來5年的市場預測等。內容綱要摘記如下:
第1章 實施概要
第2章 行動音樂市場:介紹
- 全球數位及行動音樂的趨勢
- 中國的行動音樂
- 定義及調查範圍
- 中國無線附加價值服務(WVAS)的分類
- 中國的行動音樂市場
第3章 中國行動及WVAS的主要趨勢
- 4億既有用戶,仍持續增加中
- 增加中的預付用戶:ARPU減少
- 鄉村低階用戶的新趨勢
- 年輕年、都市地區用戶間WVAS最受歡迎
- 反盜版法的執行力度不夠
- 缺乏不用盜版品的刺激
第4章 中國行動音樂價值鏈的概要
- 行動業者
- China Mobile
- China Unicom
- 服務提供業者
- 中國的網路入口網
- WVAS專業服務提供業者
- 著重於音樂的服務提供業者
- 內容提供業者
- 政府規範當局
- 信息產業部(MII)
- 中國音樂著作權協會(MCSC)
- 收入分配模式
第5章 中國監測發佈音樂市場
- 概要
- 來電音樂
- 來電答鈴
- 音樂互動式語音答覆(IVR)
- 全曲下載
- 音樂串流
第6章 主要行動音樂服務提供業者
- 著重於音樂的服務提供業者
- 9Sky
- A8音樂團體
- Beijing Longtech
- Rock Mobile
- WVAS專業服務提供業者
- Hurray!
- Kongzhong
- Linktone
- Tom Online
- 中國的網路入口網
- NetEase
- Sina
- Sohu
- Tencent
第7章 結論
- 行動音樂市場的預測(2006年-2010年)
- 受到行動業者及內容提供業者壓迫的服務提供業者
- 朝以服務提供業者為主的價值鏈發展
- 3G對中國行動音樂的影響
- 行動業者的改革
- 全曲下載的未來
Abstract
Report Summary
Mobile music is the driving force of China' s wireless value-added services
(WVAS) sector today. What started with a few simple beeped-out ringtones has
now blossomed into a multifaceted group of music services. Mobile Music in
China: Making the Right Noises offers the most comprehensive, up-to-date study
on this fast-growing sector available anywhere. In this report, we analyze
the key market forces at play today and forecast what the next five years will
bring. Written for an international audience, this report is a valuable
resource for mobile operators, music companies, and investors.
Mobile Music Sectors Covered
Mobile Music in China: Making the Right Noises covers all of the most popular
mobile music services in China' s WVAS market:
- Ringtones: A unexpected new revenue stream for domestic musicians
and record labels
- Ringback Tones: Introduced just three years ago, over one third of
China' s mobile users already have one
- Music IVR: An aging technology that has lasted longer than most
predicted
- Next-generation Services: Dim prospects for full-track downloads
and streaming music
Industry-wide Coverage
China' s mobile music value chain is currently undergoing a major transition,
as operators assert their muscle and increasingly sophisticated users demand
better quality content. This report examines the effects of this transition on
all key players:
- Mobile operators
- Service providers: Chinese Internet portals, WVAS specialists, and
music-focused SPs
- Government regulators
- Record labels and content providers
- Content aggregators and industry watchdogs
In-depth Analysis of WVAS and Mobile Music Market Trends
Mobile Music in China: Making the Right Noises offers analysis of current and
future market trends. Listed below are some of the key questions answered in
this report:
- Which mobile music services are driving growth in China?
- How are mobile music revenues shared, and which companies are profiting
from which services?
- How much is music-related piracy being controlled in China, and to what
extent do mobile music services suffer from piracy?
- How does the continued wait for 3G licenses affect China' s mobile music
market?
- What are the most important factors that will hinder or drive mobile music
use in China between now and 2010?
Table of Contents
1. Executive Summary
2. Mobile Music: An Introduction
- 2.1 Global trends in digital and mobile music
- 2.2 Mobile music in China
- 2.3 Definitions and report scope
- 2.3.1 WVAS classification in China
- 2.3.2 Mobile music sectors in China
3. Key Mobile and WVAS Trends in China
- 3.1 400 million users and growing
- 3.2 Prepaid users increasing; ARPU decreasing
- 3.3 A new wave of rural, low-end users
- 3.4 WVAS most popular with young, urban users
- 3.5 Inadequate enforcement of anti-piracy laws
- 3.6 Few incentives not to use pirated goods
4. An Overview of China' s Mobile Music Value Chain
- 4.1 Mobile operators
- 4.1.1 China Mobile
- 4.1.2 China Unicom
- 4.2 Service providers
- 4.2.1 Chinese Internet portals
- 4.2.2 WVAS specialists
- 4.2.3 Music-focused service providers
- 4.3 Content providers
- 4.3.1 Record labels
- 4.3.2 R2G
- 4.4 Government regulators
- 4.4.1 Ministry of Information Industry (MII)
- 4.4.2 The Music Copyright Society of China (MCSC)
- 4.5 Revenue sharing models
5. Mobile Music Sectors in China
- 5.1 Overview
- 5.2 Ringtones
- 5.2.1 Ringtone revenue sharing
- 5.2.2 Ringtone market size
- 5.3 Ringback tones
- 5.3.1 Ringback tone revenue sharing
- 5.3.2 Ringback tone market size
- 5.4 Music IVR
- 5.4.1 Music IVR revenue sharing
- 5.4.2 Music IVR market size
- 5.5 Full-track downloads
- 5.5.1 Full-track download revenue sharing
- 5.5.2 Full-track download market size
- 5.6 Streaming music
- 5.6.1 Streaming music revenue sharing
- 5.6.2 Streaming music market size
6.Leading Mobile Music Service Providers
- 6.1 Music-focused service providers
- 6.1.1 9Sky
- 6.1.2 A8 Music Group
- 6.1.3 Beijing Longtech
- 6.1.4 Rock Mobile
- 6.2 WVAS specialists
- 6.2.1 Hurray!
- 6.2.2 Kongzhong
- 6.2.3 Linktone
- 6.2.4 Tom Online
- 6.3 Chinese Internet portals
- 6.3.1 NetEase
- 6.3.2 Sina
- 6.3.3 Sohu
- 6.3.4 Tencent
7.Conclusions
- 7.1 Mobile music market forecast, 2006-2010
- 7.2 Service providers squeezed by mobile operators and content providers
- 7.3 A transition to an operator-centric value chain
- 7.4 The impact of 3G on mobile music in China
- 7.5 Operator restructuring
- 7.6 The future of full-track downloads
List of Figures
- Figure 1: The evolution of mobile music services in China
- Figure 2: Mobile subscribers in China, 2001-2010F (M)
- Figure 3: China prepaid and postpaid mobile subscribers, 2001-2010F (M)
- Figure 4: China Mobile (CMCC) prepaid and postpaid ARPU, 2001-2005 (RMB)
- Figure 5: China' s mobile music value chain
- Figure 6: Mobile operator WVAS revenues, 2003-2005 (RMB B)
- Figure 7: Service provider WVAS revenue, 1H 2006 (RMB M)
- Figure 8: Record label market share (%)
- Figure 9: Music Copyright Society of China content license fees
- Figure 10: WVAS revenue sharing plans
- Figure 11: Mobile music price comparison in China, 2006 (RMB)
- Figure 12: SP-CP-operator revenue share comparison (RMB per song)
- Figure 13: Ringtone feature comparison
- Figure 14: Ringtone revenue share breakdown (%)
- Figure 15: Ringtone market revenue, 2004-1010F (RMB B)
- Figure 16: Ringback tone user penetration, 2003-2010F (%)
- Figure 17: Ringback tone revenue share breakdown (%)
- Figure 18: Ringback tone subscribers, 2003-2010F (M)
- Figure 19: Ringback tone revenue, 2003-2010F (RMB B) (inc. operator
subscription fees)
- Figure 20: Ringback tone revenue, 2003-2010F (RMB B) (exc. operator
subscription fees)
- Figure 21: Music IVR revenue share breakdown (%)
- Figure 22: Major music IVR service providers
- Figure 23: Music IVR market size, 2004-2010F (RMB M)
- Figure 24: Full-track revenue share breakdown (%)
- Figure 25: Full-track and truetone price comparison (RMB)
- Figure 26: Streaming music revenue share breakdown (%)
- Figure 27: WVAS providers revenue breakdown, 1H 2006 (RMB M)
- Figure 28: Hurray! WVAS revenue breakdown by service, 1H 2006 (%)
- Figure 29: Kongzhong WVAS revenue breakdown by service, 1H 2006 (%)
- Figure 30: Linktone WVAS revenue breakdown by service, 1H 2006 (%)
- Figure 31: Tom Online WVAS revenue breakdown by service, 1H 2006 (%)
- Figure 32: NetEase revenue breakdown by service, 1H 2006 (%)
- Figure 33: Sina revenue breakdown by service, 1H 2006 (%)
- Figure 34: Sohu revenue breakdown by service, 1H 2006 (%)
- Figure 35: Tencent revenue breakdown by service, 1H 2006 (%)
- Figure 36: Mobile music market size by sector, 2004-2010F (RMB B)
- Figure 37: The transition to an operator-centric mobile music value chain
- Figure 38: Drivers and inhibitors to full-track download market growth
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