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市場調查報告書

數位傳播、電影攝影機的全球市場:2016年∼2020年

Global Digital Broadcast and Cinematography Cameras Market 2016-2020

出版商 TechNavio (Infiniti Research Ltd.) 商品編碼 294939
出版日期 內容資訊 英文 59 Pages
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數位傳播、電影攝影機的全球市場:2016年∼2020年 Global Digital Broadcast and Cinematography Cameras Market 2016-2020
出版日期: 2016年06月06日 內容資訊: 英文 59 Pages
簡介

數位傳播、電影攝影機市場,是受訓練的專業人士使用於廣播和電影攝影的相機,分類為ENG相機,電影攝影機,EFP相機3個主要類別。全球數位傳播、電影攝影機市場,預計2016年∼2020年期間,以1.23%年複合成長率成長。

本報告提供全球數位傳播、電影攝影機市場相關調查分析,市場概要,各市場區隔考察,各地區考察,推動市場的要素,主要企業等相關整體分析、彙整。

第1章 摘要整理

第2章 報告的範圍

第3章 市場調查的方法

  • 調查方法
  • 經濟指標

第4章 簡介

第5章 市場說明

  • 數位傳播、電影攝影機:各類型

第6章 市場的狀況

  • 市場概要
  • 產品生命週期
  • 市場規模與預測
  • 波特的五力分析

第7章 市場區隔:產品

  • 市場區隔:產品
  • ENG相機
  • 電影攝影機
  • EFP相機

第8章 購買標準

第9章 各地區市場區隔

  • 全球數位傳播、電影攝影機市場:各地區
  • 南北美洲
  • 歐洲/中東/非洲
  • 亞太地區

第10章 市場魅力

  • 各產品
  • 各地區

第11章 主要國家

  • 美國

第12章 主要市場促進要素

  • 電影娛樂市場成長
  • 運動活動的增加
  • 實況效能和音樂會的人氣
  • 2k、4k相機使用在數位電影
  • HD信道用戶的增加
  • 3D電影的人氣
  • 新聞電視台和製作公司增加

第13章 促進要素的影響

第14章 市場課題

第15章 促進要素與課題的影響

第16章 主要市場趨勢

  • 需求從已開發國家轉移到開發中國家
  • 具備高階功能的相機的登場
  • 消費者的期望值的上升
  • 網路零售受歡迎
  • 3D相機的利用增加
  • IMAX電影受歡迎

第17章 供應商狀況

第18章 附錄

第19章 Technavio的其他報告

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目錄
Product Code: IRTNTR9468

About the Digital Broadcast and Cinematography Cameras Market

Digital broadcast and cinematography cameras refer to the professional cameras that have special lenses of different focal lengths and high-density sensors to capture high-quality motion pictures. These cameras are operated by trained professionals such as broadcasters and cinematographers. Digital broadcast and cinematography cameras are broadly classified into three major categories: ENG cameras, cinema cameras, and EFP cameras. Each of them is used for different purposes. For instance, EFP cameras are preferred by production houses for recording short films, live shows, and sporting events as these cameras are equipped with supportive gears and the person handling the camera has time to set up the entire unit. ENG cameras are used by news broadcasters as these cameras have a minimal setup time.

Technavio's analysts forecast the global digital broadcast and cinematography cameras market to grow at a CAGR of 1.23% during the period 2016-2020.

Covered in this report

The report covers the present scenario and the growth prospects of the global digital broadcast and cinematography cameras market for 2016-2020. prospects of the global digital broadcast and cinematography cameras market for 2016-2020. To calculate the market size, the report considers the revenue generated from the sales of broadcast and cinematography cameras, which include the following types of cameras:

  • ENG cameras
  • Cinema cameras
  • Electronic field production (EFP) cameras

The market is divided into the following segments based on geography:

  • Americas
  • APAC
  • EMEA

Technavio's report, Global Digital Broadcast and Cinematography Cameras Market 2016-2020, has been prepared based on an in-depth market analysis with inputs from industry experts. The report covers the market landscape and its growth prospects over the coming years. The report also includes a discussion of the key vendors operating in this market.

Key vendors

  • ARRI
  • Blackmagic Design
  • Panasonic
  • Red
  • Sony

Other Prominent Vendors

  • Aaton Digital
  • AbelCine
  • Canon
  • CineForm
  • Grass Valley
  • Hitachi
  • Inonoskop
  • IMAX
  • JVC
  • Moviecam
  • Nikon
  • Panavision
  • Silicon Image
  • Teledyne DALSA
  • Vision Research

Market driver

  • Increase in number of sporting events
  • For a full, detailed list, view our report

Market challenge

  • Long replacement cycles
  • For a full, detailed list, view our report

Market trend

  • Shift in demand from developed nations to developing nations
  • For a full, detailed list, view our report

Key questions answered in this report

  • What will the market size be in 2020 and what will the growth rate be?
  • What are the key market trends?
  • What is driving this market?
  • What are the challenges to market growth?
  • Who are the key vendors in this market space?
  • What are the market opportunities and threats faced by the key vendors?
  • What are the strengths and weaknesses of the key vendors?

You can request one free hour of our analyst's time when you purchase this market report. Details are provided within the report.

Table of Contents

PART 01: Executive summary

  • Highlights

PART 02: Scope of the report

  • Market overview
  • End-user segment
  • Base year
  • Vendor segmentation
  • Summation errors
  • Top-vendor offerings

PART 03: Market research methodology

  • Research methodology
  • Economic indicators

PART 04: Introduction

  • Key market highlights

PART 05: Market description

  • Digital broadcast and cinematography cameras by type
  • PART 06: Market landscape
  • Market overview
  • Product life cycle
  • Market size and forecast
  • Five forces model

PART 07: Market segmentation by product

  • Market segmentation by product
  • Global ENG cameras market
  • Global cinema cameras market
  • Global EFP cameras market

PART 08: Buying criteria

  • Buying criteria for digital broadcast and cinematography cameras

PART 09: Geographical segmentation

  • Global digital broadcast and cinematography cameras market by geography
  • Digital broadcast and cinematography market in Americas
  • Digital broadcast and cinematography market in EMEA
  • Digital broadcast and cinematography market in APAC

PART 10: Market attractiveness

  • Market attractiveness by product
  • Market attractiveness by geography

PART 11: Key leading country

  • US

PART 12: Key market drivers

  • Growth in film entertainment market
  • Increase in number of sporting events
  • Rise in popularity of live performances and concerts
  • Use of 2K and 4K cameras in digital movies
  • Increase in subscription of HD channels
  • Rise in popularity of 3D movies
  • Increased number of news broadcasters and production houses

PART 13: Impact of drivers

PART 14: Key market challenges

  • Decline in cost of cameras
  • Long replacement cycle of cameras
  • Camera rental marketplace
  • Need to differentiate product offerings
  • High similarity across product segments

PART 15: Impact of drivers and challenges

PART 16: Key market trends

  • Shift in demand from developed nations to developing nations
  • Emergence of high-end cameras
  • Rise in consumer expectations
  • Increase in popularity of online retail
  • Increased use of 3D cameras
  • Increase in popularity of IMAX cinema format

PART 17: Vendor landscape

  • Competitive scenario
  • Key leading vendors
  • Key highlights of leading vendors
  • Other prominent vendors

PART 18: Appendix

  • List of abbreviations

PART 19: Explore Technavio

List of Exhibits

  • Exhibit 01: Product offerings
  • Exhibit 02: Classification of digital broadcast and cinematography cameras by type
  • Exhibit 03: Overview of global digital broadcast and cinematography camera market
  • Exhibit 04: Product life cycle of digital broadcast and cinematography cameras
  • Exhibit 05: Product life cycle of digital broadcast and cinematography cameras in 2015
  • Exhibit 06: Global digital broadcast and cinematography cameras market 2015-2020 ($ millions)
  • Exhibit 07: Five forces model
  • Exhibit 08: Global digital broadcast and cinematography cameras market by type 2015 (% share)
  • Exhibit 09: Global digital broadcast and cinematography cameras market by type 2020 (% share)
  • Exhibit 10: Revenue comparison of global digital broadcast and cinematography camera market by type 2015-2020 ($ millions)
  • Exhibit 11: CAGR comparison of different types of global digital broadcast and cinematography camera market 2016-2020
  • Exhibit 12: Global ENG cameras market 2015-2020 ($ millions)
  • Exhibit 13: Global cinema cameras market 2015-2020 ($ millions)
  • Exhibit 14: Global EFP cameras market 2015-2020 ($ millions)
  • Exhibit 15: Buying criteria for digital broadcast and cinematography cameras
  • Exhibit 16: Global digital broadcast and cinematography cameras market by geography 2015 (% share)
  • Exhibit 17: Global digital broadcast and cinematography cameras market by geography 2020 (% share)
  • Exhibit 18: Revenue comparison of global digital broadcast and cinematography camera market by geography 2015-2020 ($ millions)
  • Exhibit 19: CAGR comparison of global digital broadcast and cinematography camera market by geography 2016-2020
  • Exhibit 20: Digital broadcast and cinematography market in Americas 2015-2020 ($ millions)
  • Exhibit 21: Digital broadcast and cinematography market in EMEA 2015-2020 ($ millions)
  • Exhibit 22: Digital broadcast and cinematography market in APAC 2015-2020 ($ millions)
  • Exhibit 23: Market attractiveness by product
  • Exhibit 24: Market attractiveness by geography
  • Exhibit 25: Impact of drivers
  • Exhibit 26: Impact of drivers and challenges
  • Exhibit 27: ARRI: Digital broadcast and cinematography camera segmentation
  • Exhibit 28: Blackmagic Design: Digital broadcast and cinematography camera segmentation
  • Exhibit 29: Panasonic: Digital broadcast and cinematography camera segmentation
  • Exhibit 30: Red: Digital broadcast and cinematography camera segmentation
  • Exhibit 31: Sony: Digital broadcast and cinematography camera segmentation
  • Exhibit 32: Key highlights of leading vendors
  • Exhibit 33: Other prominent vendors
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