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市場調查報告書

錄製音樂產業的未來

Future of the Recorded Music Industry: Part 1 - Value and Payment

出版商 Generator Research
出版日期 2007年08月 商品編碼 54169
內容資訊 英文 44 PAGES
價格
US $ 805 PDF By E-mail (Single User)
US $ 1610 PDF By E-mail (Corporate License)


錄製音樂產業的未來 是由出版商Generator Research在2007年08月所出版的。 這份英文市場調查報告書包含44 PAGES 價格從美金805起跳。

簡介

專門於歐洲行動通訊產業調查工作的英國市調公司 Generator Research (總公司:Devon state ,UK)針對錄製音樂產業的未來進行調查分析,並出版經系統整理的報告書 "Future of the Recorded Music Industry" 。

本報告書針對美國網路使用者進行調查,內容包括:消費者認為的音樂的重要性、音樂的付費動向、容許付費程度、未來付費動向預測、消費者對音樂的態度變化及對產業的影響等。內容綱要摘記如下:

實施概要

介紹

調查方法

  • 年齡
  • 性別
  • 學歷
  • 職業
  • 已婚・未婚

調查結果

  • 音樂的重要性
  • 5種類型的音樂娛樂比較
    • 相對重要性
    • 允許付費程度
  • 著作權侵害
    • 收費音樂及免費音樂:CD・數位音樂
    • 音樂愛好者・非音樂愛好者
    • 實際侵權程度
  • 對錄音音樂的支出額
    • 現在的支出額
    • 今後發展前景、等

分析

  • 行為訓練
  • 通路課題
  • 價値命題的轉變
    • 新價值命題

圖表

目錄

Abstract

Part 1: Value and Payment

  • U.S. Consumer Survey
  • Importance of Music
  • Piracy Levels
  • Expenditure on Music
  • Hard-core Non-payers
  • Analysis and Implications

The report begins by looking at five different types of musical entertainment, including a personal music collection, concerts and music services. The five options are then compared based on the importance of each option to the survey group and their willingness to pay for it.

Next, the question of piracy is addressed for both the CD and digital music. This is analysed using the size of each respondent' s personal music collection and the proportion that has been acquired on a paid-for basis. Piracy levels are analysed using an absolute and actual approach.

The report then looks at current and anticipated levels of expenditure on CDs and digital music. Throughout the report, the difference between music enthusiasts and non-enthusiasts is highlighted.

The report then provides an in-depth analysis of the results and what they mean for the music industry.

Table of Contents

CONTENTS

EXECUTIVE SUMMARY

INTRODUCTION

METHODOLOGY

  • AGE
  • GENDER
  • EDUCATIONAL STATUS
  • EMPLOYMENT STATUS
  • MARITAL STATUS

SURVEY RESULTS

  • IMPORTANCE OF MUSIC
  • COMPARISON OF FIVE TYPES OF MUSIC ENTERTAINMENT
    • Relative Importance
    • Willingness to Pay
  • PIRACY
    • Paid-for vs. Pirated Music-CD and Digital
    • Music Enthusiasts vs. Non-enthusiasts
    • Absolute Level of Piracy
    • Actual Level of Piracy
    • Demographics
  • MONEY SPENT ON RECORDED MUSIC
    • Current Expenditure
    • Stated Future Intention
    • Hard-core Non-payers

ANALYSIS

  • BEHAVIOURAL CONDITIONING: NEW BELIEF SYSTEM
  • CHANNEL ISSUE: INTERNET MEANS FREE
  • SHIFTING VALUE PROPOSITION
    • New Value Proposition
    • Change in Who Contributes the Most Value
    • Analogy 1: Mobile Phones
    • Analogy 2: Second-hand CD Market

TOPLINE RESULTS

SURVEY QUESTIONNAIRE

LIST OF FIGURES

  • Figure 1: Age Distribution of Survey Respondents (U.S. Online Users)
  • Figure 2: Gender Distribution of Survey Respondents (U.S. Online Users)
  • Figure 3: Educational Status of Survey Respondents (U.S. Online Users)
  • Figure 4: Employment Status of Survey Respondents (U.S. Online Users)
  • Figure 5: Marital Status of Survey Respondents (U.S. Online Users)
  • Figure 6: Segmentation of Respondents: Music Enthusiasts and Non-enthusiasts (U.S. Online Users aged 15 to 25 years)
  • Figure 7: U.S. Consumer Attitudes towards Four Types of Musical Entertainment (15 to 25-year old online users)
  • Figure 8: Comparison of Different Types of Music: Consumer Payment Ethos
  • Figure 9: Relative Proportions of Paid-for vs. Pirated Music: 15 to 25-year old Online Users in the U.S.
  • Figure 10: Relative Proportions of Paid-for vs. Pirated Music (15 to 25-year old Online Users in the U.S.) - Music Enthusiasts vs. Non-enthusiasts
  • Figure 11: Percentages of Paid-for Music by 10% Bin (CD and Digital): 15 to 25-year old U.S. Online Users
  • Figure 12: Percentage of Music Collection that is Paid-for (CDs and Digital) - Variation with Age
  • Figure 13: Who Delivers the Most Value to the Music Consumer?
  • Figure 14: Mobile Communications Business: Who Delivers the Most Value to the Consumer?
  • Figure 15: Music Consumption Experience: Comparison in Value Added by (Most) Record Labels and Technology Companies

LIST OF TABLES

  • Table 1: Five Different ways in Which Consumers can Spend Time and Money on Musical Entertainment
  • Table 2: The Two Most Important Forms of Music: Summary
  • Table 3: U.S. Consumer Attitudes towards Four Types of Musical Entertainment (Music Enthusiasts and Non-enthusiasts)
  • Table 4: Consumer attitudes towards importance and willingness to pay: personal music collection, gigs & concerts and live music (15 to 25-year old Online Users in the U.S.)
  • Table 5: Consumer attitudes towards importance and willingness to pay: mobile phone ringtones and music services (15 to 25-year old Online Users in the U.S.)
  • Table 6: Calculation of Absolute Level of Piracy: Songs Added per Year per Respondent & Equivalent Retail Value
  • Table 7: Average Monthly Expenditure on Music: CDs and Digital (15 to 25-year old online users in the U.S.)
  • Table 8: Average Monthly Expenditure on Music - Stated Future Intention
  • Table 9: Comparison Between CD and Digital Music: Product Delivery Vehicle and Value Extraction (Record Labels and Technology Industry)
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