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市場調查報告書
亞洲的動漫市場：策略／動態／市場機會
Asian Animation Industry: Strategies, Trends and Opportunities
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亞洲的動漫市場：策略／動態／市場機會 是由出版商Digital Vector, Inc.在2010年10月所出版的。
這份英文市場調查報告書包含474 PAGES - 27 Tables and Figures 117 價格從美金5000起跳。
本報告書針對亞洲動漫產業的發展歷程與現況進行調查分析，提供產業狀況、市場規模與成長預測、商業模式與策略、風險與課題，以及主要企業的介紹等，內容概要摘記如下。
導論
印度
- 產業現況
- 動漫工作室的商業模式
- 動漫產業的規模
- 風險
- 未來預測
- 動漫工作室的策略
- 動漫學校
- 主要的動漫工作室
中國
- 產業現況
- 動漫工作室的商業模式
- 動漫產業的規模
- 風險
- 未來預測
- 動漫工作室的策略
- 動漫工作室
韓國
- 產業的問世
- 動漫工作室的機能
- 變化的商業模式
- 產業現況
- 課題
- 動漫工作室的策略
- 市場機會
- 動漫工作室的統計
- 未來預測
- 動漫學校
菲律賓
- 產業現況
- 動漫的外包
- 長編動漫
- 產業的恢復
- 產業的優勢
- 課題
- 動漫教育
- 動漫工作室的統計
- 動漫工作室的策略
- 未來預測
- 動漫工作室
台灣
- 動盪時代的落幕
- 產業現況
- 課題
- 對於台灣動漫工作室的威脅
- 動漫學校
- 動漫工作室的統計
- 動漫工作室的策略
- 未來預測
- 動漫工作室
- 主要的動漫工作室
越南
- 初期外資的加入
- 主要動態
- 課題
- 未來動態
- 動漫工作室的統計
- 動漫工作室的策略
- 未來預測
日本
- 主要動態
- 成功的商業模式
- 動漫的出口
- 達到全球性成功的日本動漫
- 日本動漫的制作模式
- 課題
- 未來動態
- 動漫工作室的統計
- 動漫工作室
泰國
- 主要動態
- 最初的3D長編動漫
- 政府的資助
- 促進產業發展的主因
- 課題
- 產業機會
- 動漫工作室的策略
- 動漫工作室
新加坡
- 促進產業需求的關鍵
- 政府倡議
- 促進產業需求的主因
- 課題
- 動漫工作室的策略
- 動漫工作室的統計
- 動漫工作室
- 動漫學校
馬來西亞
- 政府的資助
- 促進產業發展的主因
- 課題
- 市場機會
- 動漫工作室的策略
- 最初的3D長編動漫
- 動漫工作室的統計
- 動漫工作室
印尼
- 政府的資助
- 最初的3D長編動漫
- 課題
- 動漫工作室的統計
- 動漫工作室
伊朗
- 促進產業發展的主因
- 最初的長編動漫
- 課題
- 動漫工作室的統計
- 動漫工作室
圖表
Abstract
Much of Asia' s animation production since the 1960s has been tied to foreign
interests attracted by stable and inexpensive labour supplies. For nearly
forty years, western studios have established and maintained production
facilities, first in Japan, then in South Korea and Taiwan, and now also in
the Philippines, Malaysia, Singapore, Vietnam, Thailand, India, Indonesia, and
China. The economics of the industry made it feasible for Asia to feed the
cartoon world, to the extent that today, about 90% of all American television
animation is produced in Asia.
The usual procedure is for pre-production (preparing the script, storyboard,
and exposure sheets) to be done in the United States or other headquarter
countries, after which, the package is sent to Asia for production (drawing
cels, colouring by hand, inking, painting, and camera work). The work is sent
back to the U.S. or other headquarter country for post-production (film
editing, colour timing, and sound). Offshore animation has led to the creating
and nurturing of a local industry, as an infrastructure is built up, equipment
is put into place, and skills are transferred.
An emerging trend in the Asian animation industry is the increasing focus
towards production of local animation content for television as well as
production of animated movies. An increasing number of Asian animation studios
are giving importance to owning and protecting animation content by investing
in intellectual property protection mechanisms.
Table of Contents
Introduction
- Animation in Asian Societies
- Establishment of Local Animation Industry
- LOCAL CONTENT PRODUCTIONS
- SUCCESSFUL BUSINESS MODELS
- Influence of Foreign Animation Styles
- POPULARITY OF FOREIGN ANIMATION
- Trends in Animation Outsourcing to Asia
- ANIMATION OUTSOURCING IN CHINA
- ANIMATION OUTSOURCING IN INDIA
- ANIMATION OUTSOURCING IN SOUTH KOREA
- ANIMATION OUTSOURCING IN PHILIPPINES
- ANIMATION OUTSOURCING IN TAIWAN
- ANIMATION OUTSOURCING IN VIETNAM
- Trend towards Co-Productions
- CO-PRODUCTIONS IN JAPAN
- CO-PRODUCTIONS IN CHINA
- CO-PRODUCTIONS IN KOREA
- CO-PRODUCTIONS IN INDIA
- CO-PRODUCTIONS IN TAIWAN
- CO-PRODUCTIONS IN PHILIPPINES
- Controversies Surrounding Foreign Animation
- PHILIPPINES
- SINGAPORE
- KOREA
- MALAYSIA
- INDONESIA
- Animation Studios in Asia
India
- Current State of the Industry
- Business Models of Animation Studios in India
- REVENUE MODELS
- COST STRUCTURE
- TOONZANIMATION INDIA' S IN-HOUSE ANIMATION PROJECT
- HANUMAN - INDIA' S FIRST FULLY INDIGENEOUS FEATURE FILM
- Size of the Indian Animation Industry
- RISING DOMESTIC DEMAND
- STATISTICS ON ANIMATION STUDIOS IN INDIA
- The Risks
- Future Outlook
- Strategies for Animation Studios in India
- Animation Schools in India
- Key Animation Studios in India
- COMPUDYNE WINFOSYSTEMS
- CREST COMMUNICATIONS
- DQ ENTERTAINMENT
- DIGIKORE DESIGNS
- ESCOTOONZ
- HEART ANIMATION
- JADOO WORKS
- MAYA ENTERTAINMENT
- MEDIAWORKS
- PAPRIKAAS ANIMATION STUDIOS
- PENTAMEDIA
- TOONZ ANIMATION INDIA
- UTV TOONS
- WONDERTOONS
- ZEE INSTITUTE OF CREATIVE ARTS
China
- Current State of the Industry
- KEY TRENDS
- CHALLENGES
- DEMAND FOR LOCAL CONTENT
- GOVERNMENT SUPPORT
- MARKET OPPORTUNITY
- Business Models of Animation Studios in China
- REVENUE MODELS
- COST STRUCTURE
- THRU THE MOEBIUS STRIP - THE FIRST CHINESE 3D ANIMATION MOVIE
- Size of the Chinese Animation Industry
- Statistics on Animation Studios in China
- The Risks
- Future Outlook
- Strategies for Animation Studios in China
- Animation Studios in China
- SHANGHAI STARTS INFO-CREATION CORPORATION
- BEIJING HONG YE ANIMATION CO.
- SHANGHAI HONG QING TING ANIMATION PRODUCTION CO.
- ANIMATION PRODUCTION DEPARTMENT OF CCTV
- HONG YING UNIVERSE CO.
- ANIMATION INSTITUTE, BEIJING BROADCASTING INSTITUTE
- SHANGHAI YI LI MEI ANIMATION CO. LTD.
- MORNING SUN ANIMATION GROUP
South Korea
- Emergence of the Industry
- Functioning of Korean Animation Studios
- Changing Business Models
- GOING BEYOND SUBCONTRACTING
- INVESTMENTS BY INDUSTRIAL GROUPS
- CHANGES IN INDUSTRY STRUCTURE
- SUCCESS IN OTHER COUNTRIES
- Current State of the Industry
- GOVERNMENT SUPPORT
- COLLABORATION WITH OVERSEAS PARTNERS
- KEY TRENDS
- LOCAL CONTENT
- Challenges
- Strategies for Korean Animation Studios
- Market Opportunity
- SIZE OF THE KOREAN ANIMATION INDUSTRY
- Statistics on Animation Studios in Korea
- Future Outlook
- Animation Schools in Korea
- Animation Studios in Korea
- ANI VILLAGE COMPANY LTD.
- CHARACTER PLAN
- DOOLYNARA
- DR. MOVIE COMPANY
- DONGWOO ANIMATION
- HAHNSHIN CORPORATION
- HANHO HEUNG-UP
- IMAGE PLUS
- PLUS ONE ANIMATION
- SAEROM ANIMATION
- SEOL MOVIE
- SUNWOO ENTERTAINMENT
Philippines
- Current State of the Industry
- KEY TRENDS
- COMPETITION
- INDUSTRY CAPACITY
- BRAND BUILDING
- GOVERNMENT SUPPORT
- DEMAND FOR LOCAL CONTENT
- FUNDING
- Animation Outsourcing in Philippines
- Animated Feature films in Philippines
- Industry Recovery
- Industry Advantages
- Challenges
- Animation Education and Training in Philippines
- Statistics on Animation Studios in Philippines
- Strategies for Philippine Animation Studios
- Future Outlook
- Animation Studios in Philippines
- TOP DRAW ANIMATION
- PHILIPPINE ANIMATION STUDIO INC.
Taiwan
- Past the Turbulent Times
- Current State of the Industry
- KEY TRENDS
- LOCAL CONTENT
- COMPETITION
- GOVERNMENT SUPPORT
- COMPETITIVE ADVANTAGES
- Challenges
- Threats to Taiwan Animation Studios
- INTERNAL THREATS
- EXTERNAL THREATS
- Animation Schools in Taiwan
- Statistics on Animation Studios in Taiwan
- Strategies for Animation Studios in Taiwan
- Future Outlook
- Animation Studios in Taiwan
- Key Animation Studios in Taiwan
- WANG FILM PRODUCTIONS
- HONG YING UNIVERSE
- CGCG INC.
- LEADER ASIA PACIFIC CREATIVITY CENTER
Vietnam
- Early Foreign Entrants into Vietnam
- Key Trends
- CAPABILITIES OF VIETNAMESE ANIMATORS
- Challenges
- Future Trends
- Statistics on Animation Studios in Vietnam
- Strategies for Animation Studios in Vietnam
- Future Outlook
Japan
- Key Trends
- MARKET OVERVIEW
- COLLABORATION BETWEEN JAPANESE AND OVERSEAS STUDIOS
- OUTSOURCING TO OTHER COUNTRIES
- Successful Business Models
- Anime Exports
- OVERSEAS INFLUENCE OF ANIME
- Globally Successful Japanese Animes
- Japanese Anime Production Models
- PROMINENCE OF 2D
- RETAS - SOFTWARE FOR ANIME PRODUCTION
- MANGA STUDIO - SOFTWARE FOR MANGA PRODUCTION
- Challenges
- Future Trends
- Statistics on Animation Studios in Japan
- Strategies for Japanese Animation Studios
- Animation Studios in Japan
Thailand
- Key Trends
- Thailand' s first 3D Animated Feature Film
- Government Support
- Industry Drivers
- Challenges
- Industry Opportunities
- Strategies for Animation Studios in Thailand
- Animation Studios in Thailand
Singapore
- Industry Demand Triggers
- Singapore Government Initiatives
- Industry Drivers
- Challenges
- Strategies for Animation Studios in Singapore
- Statistics on Animation Studios in Singapore
- Animation Studios in Singapore
- Animation Schools in Singapore
Malaysia
- Government Support
- Industry Drivers
- Challenges
- Industry Opportunities
- Strategies for Animation Studios in Malaysia
- Malaysia' s first 3D Animated Feature film
- Statistics on Animation Studios in Malaysia
- Animation Studios in Malaysia
Indonesia
- Government Support
- Indonesia' s first 3D animated feature film
- Challenges
- Statistics on Animation Studios in Indonesia
- Animation Studios in Indonesia
- Israel
- Drivers
- Israel' s first animated feature film
- Challenges
- Statistics on Animation Studios in Israel
- Animation Studios in Israel
Figures and Tables
- FIGURE 1: COST-QUALITY MATRIX OF ANIMATION CONTENT IN ASIAN COUNTRIES
- FIGURE 2: COMPARISON OF COST PROJECTIONS OF PRODUCING ONE EPISODE OF
ANIMATION WORK IN ASIAN COUNTRIES
- FIGURE 3: COMPARISON OF ANNUAL ANIMATION CONTENT OUTPUT IN ASIAN COUNTRIES
- FIGURE 4: INDIA' S FIRST FULLY CEL-ANIMATED MUSIC VIDEO
- FIGURE 5: TOONZANIMANTION' S IN-HOUSE PRODUCTIONS
- FIGURE 6: HANUMAN THE MOVIE
- TABLE 2: ANIMATION CONTENT DEMAND FORECAST - TV CHANNELS IN INDIA
- TABLE 3: FORECAST OF ANIMATION CONTENT REQUIRED BY TV CHANNELS IN INDIA
- FIGURE 7: SIZE OF INDIAN ANIMATION INDUSTRY
- FIGURE 8: BREAK-UP OF INDIAN ANIMATION INDUSTRY BASED ON OUTPUT
- FIGURE 9: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
INDIA
- TABLE 4: IN-HOUSE CONTENT DEVELOPED BY INDIAN ANIMATION STUDIOS
- TABLE 5: INDIGENOUS ANIMATION MOVIES DEVELOPED IN INDIA
- FIGURE 10: NUMBER OF ANIMATION STUDIOS IN INDIA
- FIGURE 11: BREAK-UP OF ANIMATION STUDIOS IN INDIA BASED ON SIZE
- FIGURE 12: BREAK-UP OF ANIMATION STUDIOS IN INDIA BASED ON CAPABILITIES
- FIGURE 13: CLASSIFICATION OF ANIMATION STUDIOS IN INDIA BASED ON
APPLICATIONS
- FIGURE 14: NUMBER OF PEOPLE EMPLOYED IN THE INDIAN ANIMATION INDUSTRY
- FIGURE 15: ANNUAL ANIMATION CONTENT OUTPUT OF INDIAN ANIMATION INDUSTRY
- FIGURE 16: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF INDIAN ANIMATION
INDUSTRY
- TABLE 6: ANIMATION SCHOOLS IN INDIA
- TABLE 7: INDIA' S LEADING ANIMATION STUDIOS
- TABLE 8: IN-HOUSE CONTENT DEVELOPED BY CHINESE ANIMATION STUDIOS
- FIGURE 17: THRU THE MOEBIUS STRIP: CHINESE 3D ANIMATION MOVIE
- FIGURE 18: SIZE OF CHINESE ANIMATION INDUSTRY
- FIGURE 19: ANIMATION CONTENT DEMAND VS. SUPPLY FORECAST FOR THE CHINESE
ANIMATION INDUSTRY
- FIGURE 20: VALUE OF ANIMATION CONTENT DEMAND VS. SUPPLY FORECAST FOR THE
CHINESE ANIMATION INDUSTRY
- FIGURE 21: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
CHINA
- FIGURE 22: NUMBER OF ANIMATION STUDIOS IN CHINA
- FIGURE 23: BREAK-UP OF ANIMATION STUDIOS IN CHINA BASED ON SIZE
- FIGURE 24: CLASSIFICATION OF ANIMATION STUDIOS IN CHINA BASED ON
CAPABILITIES
- FIGURE 25: BREAK-UP OF ANIMATION STUDIOS IN CHINA BASED ON APPLICATIONS
- FIGURE 26: NUMBER OF PEOPLE EMPLOYED IN THE CHINESE ANIMATION INDUSTRY
- FIGURE 27: ANNUAL ANIMATION CONTENT OUTPUT OF CHINESE ANIMATION INDUSTRY
- FIGURE 28: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF CHINESE
ANIMATION INDUSTRY
- TABLE 9: LIST OF ANIMATION SCHOOLS IN CHINA
- TABLE 10: CHINA' S LEADING ANIMATION STUDIOS
- TABLE 11:IN-HOUSE CONTENT DEVELOPED BY KOREAN ANIMATION STUDIOS
- FIGURE 29: SIZE OF KOREAN ANIMATION INDUSTRY
- FIGURE 30: KOREAN MARKET FOR ANIMATION-RELATED MERCHANDISE
- FIGURE 31: NUMBER OF ANIMATION STUDIOS IN KOREA
- FIGURE 32: BREAK-UP OF ANIMATION STUDIOS IN KOREA BASED ON SIZE
- FIGURE 33: BREAK-UP OF ANIMATION STUDIOS IN KOREA BASED ON CAPABILITIES
- FIGURE 34: BREAK-UP OF ANIMATION STUDIOS IN KOREA BASED ON APPLICATIONS
- FIGURE 35: NUMBER OF PEOPLE EMPLOYED IN THE KOREAN ANIMATION INDUSTRY
- FIGURE 36: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
KOREA
- FIGURE 37: ANNUAL ANIMATION CONTENT OUTPUT OF KOREAN ANIMATION INDUSTRY
- FIGURE 38: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF KOREAN ANIMATION
INDUSTRY
- TABLE 12: ANIMATION SCHOOLS IN KOREA
- TABLE 13: KOREA' S LEADING ANIMATION STUDIOS
- FIGURE 39 URDUJA, ANIMATED FEATURE FILM FROM PHILIPINES
- FIGURE 40: DAYO, ANIMATED FEATURE FILM FROM PHILIPINES
- TABLE 14: LEADING ANIMATION TRAINING SCHOOLS IN PHILIPPINES
- FIGURE 41: NUMBER OF ANIMATION STUDIOS IN PHILIPPINES
- FIGURE 42: BREAK-UP OF ANIMATION STUDIOS IN PHILIPPINES BASED ON SIZE
- FIGURE 43: CLASSIFICATION OF ANIMATION STUDIOS IN PHILIPPINES BASED ON
CAPABILITIES
- FIGURE 44: BREAK-UP OF ANIMATION STUDIOS IN PHILIPPINES BASED ON
APPLICATIONS
- FIGURE 45: NUMBER OF PEOPLE EMPLOYED IN THE PHILIPPINE ANIMATION INDUSTRY
- FIGURE 46: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
PHILIPPINES
- FIGURE 47: ANNUAL ANIMATION CONTENT OUTPUT OF PHILIPPINE ANIMATION INDUSTRY
- FIGURE 48: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF PHILIPPINES
ANIMATION INDUSTRY
- TABLE 15: LEADING ANIMATION STUDIOS IN PHILIPPINES
- TABLE 16: ANIMATION SCHOOLS IN TAIWAN
- FIGURE 49: NUMBER OF ANIMATION STUDIOS IN TAIWAN
- FIGURE 50: BREAK-UP OF ANIMATION STUDIOS IN TAIWAN BASED ON SIZE
- FIGURE 51: CLASSIFICATION OF ANIMATION STUDIOS IN TAIWAN BASED ON
CAPABILITIES
- FIGURE 52: BREAK-UP OF ANIMATION STUDIOS IN TAIWAN BASED ON APPLICATIONS
- FIGURE 53: NUMBER OF PEOPLE EMPLOYED IN THE TAIWANESE ANIMATION INDUSTRY
- FIGURE 54: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
TAIWAN
- FIGURE 55: ANNUAL ANIMATION CONTENT OUTPUT OF TAIWANESE ANIMATION INDUSTRY
- FIGURE 56: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF TAIWAN ANIMATION
INDUSTRY
- TABLE 17: LEADING ANIMATION STUDIOS IN TAIWAN
- FIGURE 57: NUMBER OF ANIMATION STUDIOS IN VIETNAM
- FIGURE 58: BREAK-UP OF ANIMATION STUDIOS IN VIETNAM BASED ON SIZE
- FIGURE 59: CLASSIFICATION OF ANIMATION STUDIOS IN VIETNAM BASED ON
CAPABILITIES
- FIGURE 60: BREAK-UP OF ANIMATION STUDIOS IN VIETNAM BASED ON APPLICATIONS
- FIGURE 61: NUMBER OF PEOPLE EMPLOYED IN THE VIETNAMESE ANIMATION INDUSTRY
- FIGURE 62: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
VIETNAM
- FIGURE 63: ANNUAL ANIMATION CONTENT OUTPUT OF VIETNAMESE ANIMATION INDUSTRY
- FIGURE 64: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF VIETNAMESE
ANIMATION INDUSTRY
- FIGURE 65: NUMBER OF ANIMATION STUDIOS IN JAPAN
- FIGURE 66: BREAK-UP OF ANIMATION STUDIOS IN JAPAN BASED ON SIZE
- FIGURE 67: CLASSIFICATION OF ANIMATION STUDIOS IN JAPAN BASED ON
CAPABILITIES
- FIGURE 68: BREAK-UP OF ANIMATION STUDIOS IN JAPAN BASED ON APPLICATIONS
- FIGURE 69: NUMBER OF PEOPLE EMPLOYED IN THE JAPANESE ANIMATION INDUSTRY
- FIGURE 70: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
JAPAN
- FIGURE 71: ANNUAL ANIMATION CONTENT OUTPUT OF JAPANESE ANIMATION INDUSTRY
- FIGURE 72: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF JAPANESE
ANIMATION INDUSTRY
- TABLE 18: LEADING ANIMATION STUDIOS IN JAPAN
- TABLE 19: ORIGINAL ANIMATION CONTENT CREATED IN THAILAND
- FIGURE 73: THAILAND' S FIRST 3D ANIMATED FEATURE FILM
- FIGURE 74: THAILAND' S CEL ANIMATED FEATURE FILM
- FIGURE 75: NUMBER OF ANIMATION STUDIOS IN THAILAND
- FIGURE 76: BREAK-UP OF ANIMATION STUDIOS IN THAILAND BASED ON SIZE
- FIGURE 77: BREAK-UP OF ANIMATION STUDIOS IN THAILAND BASED ON CAPABILITIES
- FIGURE 78: CLASSIFICATION OF ANIMATION STUDIOS IN THAILAND BASED ON
APPLICATIONS
- FIGURE 79: NUMBER OF PEOPLE EMPLOYED IN THE THAILAND ANIMATION INDUSTRY
- FIGURE 80: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
THAILAND
- FIGURE 81: ANNUAL ANIMATION CONTENT OUTPUT OF THAILAND ANIMATION INDUSTRY
- FIGURE 82: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF THAILAND
ANIMATION INDUSTRY
- TABLE 20: SINGAPORE' S HOMEGROWN ANIMATION CONTENT
- FIGURE 83: NUMBER OF ANIMATION STUDIOS IN SINGAPORE
- FIGURE 84: BREAK-UP OF ANIMATION STUDIOS IN SINGAPORE BASED ON SIZE
- FIGURE 85: BREAK-UP OF ANIMATION STUDIOS IN SINGAPORE BASED ON CAPABILITIES
- FIGURE 86: CLASSIFICATION OF ANIMATION STUDIOS IN SINGAPORE BASED ON
APPLICATIONS
- FIGURE 87: NUMBER OF PEOPLE EMPLOYED IN THE SINGAPORE ANIMATION INDUSTRY
- FIGURE 88: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
SINGAPORE
- FIGURE 89: ANNUAL ANIMATION CONTENT OUTPUT OF SINGAPORE ANIMATION INDUSTRY
- FIGURE 90: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF SINGAPORE
ANIMATION INDUSTRY
- TABLE 21: SINGAPORE' S LEADING ANIMATION STUDIOS
- TABLE 22: ANIMATION SCHOOLS IN SINGAPORE
- TABLE 23: MALAYSIA' S HOME GROWN ANIMATION CONTENT
- FIGURE 91: MALAYSIA' S FIRST 3D ANIMATED FEATURE FILM
- FIGURE 92: NUMBER OF ANIMATION STUDIOS IN MALAYSIA
- FIGURE 93: BREAK-UP OF ANIMATION STUDIOS IN MALAYSIA BASED ON SIZE
- FIGURE 94: BREAK-UP OF ANIMATION STUDIOS IN MALAYSIA BASED ON CAPABILITIES
- FIGURE 95: CLASSIFICATION OF ANIMATION STUDIOS IN MALAYSIA BASED ON
APPLICATIONS
- FIGURE 96: NUMBER OF PEOPLE EMPLOYED IN THE MALAYSIAN ANIMATION INDUSTRY
- FIGURE 97: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
MALAYSIA
- FIGURE 98: ANNUAL ANIMATION CONTENT OUTPUT OF MALAYSIAN ANIMATION INDUSTRY
- FIGURE 99: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF MALAYSIAN
ANIMATION INDUSTRY
- TABLE 24: MALAYSIA' S LEADING ANIMATION STUDIOS
- FIGURE 100: INDONESIA' S FIRST 3D ANIMATED FEATURE FILM
- TABLE 25: INDONESIA' S HOME GROWN ANIMATION CONTENT
- FIGURE 101: NUMBER OF ANIMATION STUDIOS IN INDONESIA
- FIGURE 102: BREAK-UP OF ANIMATION STUDIOS IN INDONESIA BASED ON SIZE
- FIGURE 103: BREAK-UP OF ANIMATION STUDIOS IN INDONESIA BASED ON
CAPABILITIES
- FIGURE 104: CLASSIFICATION OF ANIMATION STUDIOS IN INDONESIA BASED ON
APPLICATIONS
- FIGURE 105: NUMBER OF PEOPLE EMPLOYED IN THE INDONESIAN ANIMATION INDUSTRY
- FIGURE 106: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
INDONESIA
- FIGURE 107: ANNUAL ANIMATION CONTENT OUTPUT OF INDONESIAN ANIMATION
INDUSTRY
- FIGURE 108: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF INDONESIAN
ANIMATION INDUSTRY
- TABLE 26: INDONESIA' S LEADING ANIMATION STUDIOS
- FIGURE 109: ISRAEL' S FIRST 3D ANIMATED FEATURE FILM
- FIGURE 110: NUMBER OF ANIMATION STUDIOS IN ISRAEL
- FIGURE 111: BREAK-UP OF ANIMATION STUDIOS IN ISRAEL BASED ON SIZE
- FIGURE 112: BREAK-UP OF ANIMATION STUDIOS IN ISRAEL BASED ON CAPABILITIES
- FIGURE 113: CLASSIFICATION OF ANIMATION STUDIOS IN ISRAEL BASED ON
APPLICATIONS
- FIGURE 114: NUMBER OF PEOPLE EMPLOYED IN THE ISRAEL ANIMATION INDUSTRY
- FIGURE 115: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN
ISRAEL
- FIGURE 116: ANNUAL ANIMATION CONTENT OUTPUT OF ISRAEL ANIMATION INDUSTRY
- FIGURE 117: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF ISRAEL
ANIMATION INDUSTRY
- TABLE 27: ISRAEL' S LEADING ANIMATION STUDIOS
亞洲的動畫市場：關注增加國內製作
2010年11月01日
Global Information, Inc.已開始銷售印度市場調查公司Digital Vector, Inc.所發行的報告書「Asian Animation Industry: Strategies, Trends and Opportunities (亞洲的動漫市場：策略／動態／市場機會)」
亞洲的動畫市場中心已朝國內級的電視及電影內容的製作變化。基礎設施慢慢在容易受到離岸動畫業務影響的亞洲各國出現。加上逐漸增加的亞洲動畫藝術家工作室，透過對智慧財產保護機構的投資，重視動畫內容的所有權與保護。
一般推定美國電視動畫的90％都是在亞洲製作。Digital Vector的新報告陳述，「1960年代以後，亞洲大部分的動畫製作都與受穩定廉價勞動力供給吸引的外資連結。」。西歐的藝術家工作室最初在日本，接著是台灣和韓國，現在則在菲律賓、新加坡、越南、馬來西亞、泰國、印度、印尼及中國，固定與維持製作設備。該公司的調查分析者言及「市場經濟有可能是由亞洲提供全世界動畫。」。
一般而言，劇本、攝影表、和炭畫鉛筆的準備之典型試製順序是在美國或其他管理國完成，製作的試製包裝(i．e. 手工著色、上墨水線、上漆、攝影技術及CELL畫的繪畫)則發送到亞洲。成果物送到管理國作顏色調整（Color Timing）、膠卷編輯及聲音等編輯。該報告指出離岸動畫的歷史為「由於建構基礎設施，設備就緒，技術移轉，故能創造與培養國內市場。」。
該報告處理的主要話題
- 建構國內動畫市場
- 國內製作內容的企業•動畫藝術家工作室之成功商務模式
- 外包給亞洲的動畫動向
- 與外國動畫有關的議論
- 與風險及總市場規模預測有關的將來動向
- 市場促進因素、成長阻礙因素、主要動向、主要策略及機會
- 包含117個統計數據及27個圖表
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