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市場調查報告書

歐洲之動畫產業:策略、趨勢、市場機會

European Animation Industry: Strategies, Trends and Opportunities

出版商 Digital Vector, Inc. 商品編碼 117417
出版日期 內容資訊 英文 520 Pages, 81 TABLES, 227 Figures
商品交期: 最快1-2個工作天內
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歐洲之動畫產業:策略、趨勢、市場機會 European Animation Industry: Strategies, Trends and Opportunities
出版日期: 2017年01月09日 內容資訊: 英文 520 Pages, 81 TABLES, 227 Figures
簡介

本報告為,調查歐洲動畫產業之發展歷史及現狀等,並匯整西歐各國之動畫產業結構、政府援助、動畫工作室策略及電視節目之作用,以下列摘要形式闡述。

歐洲之動畫產業

  • 變化之風
  • 長篇電影產業
  • 歐洲工作室間之合作
  • 成功因素
  • 歐洲之趨勢
  • 歐洲動畫之電影預算
  • 歐洲動畫之電影資金籌措策略
  • 歐洲之影集
  • 歐洲之版權鏈
  • 歐洲之共同製作策略
  • 歐洲之代理
  • 歐洲之3D市場
  • 產業之阻力

歐洲動畫之需求

  • 歐洲電視節目被要求之動畫

德國

  • 歷史及發展
  • 外國之影響
  • 針對國內內容作早期之嘗試
  • 針對國內內容作後期之嘗試
  • 1990年代德國之動畫
  • 改變策略
  • 企業結構及位置
  • 主要企業
  • 共同製作現況
  • 電視節目之作用
  • 來自地區團體之支援
  • 動畫學校
  • 德國工作室策略
  • 德國動畫工作室數據
  • 德國動畫工作室
  • 德國動畫節目

英國

  • 產業結構
  • 產業成功範例
  • 課題
  • 產業技能
  • 電視節目之作用
  • 英國工作室策略
  • 英國動畫工作室數據
  • 英國動畫工作室
  • 英國動畫節目

義大利

  • 政府之援助
  • 電視節目之作用
  • 課題
  • 義大利工作室策略
  • 義大利動畫工作室數據
  • 義大利動畫工作室

法國

  • 產業結構
  • 政府之援助
  • 電視節目之作用
  • 法國工作室策略
  • 法國動畫工作室數據
  • 法國動畫工作室
  • 法國動畫節目

西班牙

  • 政府之援助
  • 電視節目之作用
  • 西班牙之動畫共同製作
  • 課題
  • 西班牙工作室策略
  • 西班牙動畫工作室數據
  • 西班牙動畫工作室

丹麥

  • 課題
  • 丹麥工作室策略
  • 丹麥動畫工作室數據
  • 丹麥動畫工作室

瑞典

  • 課題
  • 瑞典工作室策略
  • 瑞典動畫工作室數據
  • 瑞典動畫工作室

匈牙利

  • 產業轉型
  • 政府之援助

圖表

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目錄

Animation studios in European countries such as France and Spain have emerged as the market leaders in Europe. This is in part driven by the proactive steps taken by the governments of these countries by offering a range of tax breaks. The European animation studios started partnering to produce animation content for Television. These alliances resulted in content suited for local population. This is particularly seen in countries such as France, UK, Germany and Spain.

However the European animated feature film industry is still has not achieved the popularity and global appeal of their American counterparts. The feature film industry is more expensive and riskier. However this medium has attracted the interests of animators in Europe, who have been building on their capabilities of producing animation content for TV. International marketing is a key area for improvement for European animation studios. There are very few European films with trans-national success. This is partly due to the diverse cultural backgrounds. However this is undergoing change with a small number of local European productions enjoying European and global success. This includes films such as Chicken Run, Belleville Rendezvous etc.

Sample Pages

TRENDS IN EUROPE

In France, the Centre de Nationale de la Cinématographi (CNC) provides a range of subsidies for animation projects to support both production and distribution. CNC also provides funds to support the production of pilot programmes, which gives French producers a competitive advantage in obtaining international sales. The Spanish animation industry has low labor costs relative to other Western European countries. It is therefore supported by work subcontracted from other European studios, including some from the UK. Spain's top two producers are based in the Catalan region where the public service broadcaster, TV3 has been a key supporter of animation. Such support can make a significant difference to animators. Production of animation in Germany is also booming, with major studios centered in Berlin, Hamburg and elsewhere, often working in association with studios and support services in the former East Germany and other Eastern European states. With large investments from such major players as Bertlesmann, the Kirch Group and Ravensburger, German producers are well positioned to play an increasingly dominant role.Eastern Europe, which has a tradition of producing high quality animation, is also a beneficiary of the global expansion in animation. Again, one of the distinct advantages of Eastern Europe is low labor costs, and like Spain and the Far East, it benefits from work subcontracted from other territories.

INDUSTRY STRUCTURE OF GERMAN ANIMATION INDUSTRY

Unlike France - where the industry is very much based in Paris - Germany's lack of one main production center is something of a problem. But the federal structure does have its benefits since, as with live-action production, the German states vie with each other to attract animation studios to locate to their region by providing attractive incentives. This is reflected in the seven leading animation studios for the production of features: Hahn Film and Cartoon Film Rothkirch are based in Berlin, TFC Trickompany and Animationsstudio Ludewig in Hamburg, Motion Works in Halle, and Trixter Film and Munich Animation Film in Munich. Added to these players are the production companies active in the animation sector who do not have their own physical studio, ranging from Senator Filmproduktion and Greenlight Media through ndF neue deutsche Filmgesellschaft and RTV Family Entertainment to Warner Bros. Not to mention the many small outfits dotted around the country who work primarily for television or advertising such as Toons 'n' Tales, Scopas Medien and Studio Film Bilder.

The German animation film studios also work in part as networks since they often don't have the capacity for the production of a feature film. Moreover there are components like 3D animation which are only available in certain studios. Thus, The Little Polar Bear involved the cooperation of four German animation studios: Cartoon Film Rothkirch, Motion Works, Animations-fabrik Hamburg, and Animationsstudio Ludewig. About three animation features have been produced in Germany each year since 1997. A volume of annually seven to ten German films could be well managed by the local cinema market and would also give the studios the possibility to hold on to their valuable creative personnel and occupy them on a continuous basis. Three films annually, however, are not enough to keep the existing studio capacities busy. All feature film producers are therefore also producers of TV series at the same time.

Table of Contents

European Animation Industry

  • Winds of Change
    • DEMAND FOR TV CONTENT
  • Feature Film Industry in Europe
    • MARKETING AND MERCHANDISING
  • Collaboration among European Studios
  • Drivers for Success
  • Trends in Europe
    • ANIMATION COST STRUCTURES IN EUROPE
  • Animation Movie Budgets in Europe
  • Strategies and Models for Animation financing in Europe
    • ANIMATION FUNDING AGENCIES
    • CENTRALISED ANIMATION FUNDING AGENCIES IN EUROPE
  • Television Series Development in Europe
    • PITCHING TELEVISION SERIES TO BROADCASTERS
  • Copyright Chain in Europe
  • Co-Production Strategies in Europe
    • CONTRACTUAL ISSUES
    • KEY RIGHTS IN CO-PRODUCTION AGREEMENTS
    • CO-PRODUCTIONS AND OUTSOURCING
  • Distribution Strategies in Europe
    • PRODUCER-DISTRIBUTOR CO-FINANCING PATTERNS
  • 3D Market in Europe
    • ADVANTAGES OF 3D
    • DISADVANTAGES OF 3D
  • Industry Constraints and Challenges

Animation Content Demand in Europe

  • Animation Content Required by TV Channels in Europe

Germany

  • Recent Movie Trends in Germany
  • History and Evolution
  • Foreign Influence
  • Early Attempts at Local Content Development
  • Later Attempts at Local Content Development
  • German Animation during the 1990s
  • Changing Strategies
  • Industry Structure and Location
  • Size of Animation Industry in Germany
  • Key Players in the Industry
  • Co-Productions in Germany
  • Role of Television Channels
    • TERRESTRIAL TELEVISION
    • CABLE TELEVISION
  • German Animation funding
    • TYPES OF PUBLIC FUNDING IN GERMANY
    • FEDERAL FUNDING
    • REGIONAL FUNDS
    • PRIVATE FUNDING SOURCES IN GERMANY
  • Animation Schools
  • Strategies for German Studios
  • Key Statistics about Animation Studios in Germany
  • Animation Studios in Germany
  • Animation Television Channels in Germany

UK

  • Industry Structure
  • Recent Movie Trends in the UK
  • Size of Animation Industry in the UK
  • Industry Success
  • Challenges
  • Industry Skill Set
  • Role of Television Channels
    • TERRESTRIAL TELEVISION
    • CABLE TELEVISION
  • Animation Co-Productions in the UK
  • Strategies for Animation Studios in UK
  • Animation Studios in the UK
  • Animation Television Channels in UK

Italy

  • Recent Movie Trends in Italy
  • Government Support
  • Role of Television Channels
    • TERRESTRIAL TELEVISION
  • Challenges
  • Size of Animation Industry in Italy
  • Animation Co-Productions in Italy
  • Strategies for Animation Studios in Italy
  • Key Statistics about Animation Studios in Italy
  • Animation Studios in Italy

France

  • Recent Animated Movie Trends in France
  • French Visual Effects Sector
  • French Video Games Industry
  • Animation Co-productions in France
  • Size of Animation Industry in France
  • Television content production in France
  • Television production budgets in France
  • Investments by French TV channels in Animation
  • Cost per hour of Animation by French TV Channels
  • Challenges for French Animation Industry
  • Government Support
  • Financing in French Animation
    • TRENDS IN FINANCING SMALL BUDGET ANIMATION PRODUCTIONS IN FRANCE
    • DISTRIBUTION
  • Role of Television Channels
    • TERRESTRIAL TELEVISION
    • CABLE TELEVISION
  • Strategies for Animation Studios in France
  • Data of Animation Studios in France
  • Animation Studios in France
  • Animation Television Channels in France
    • FRANCE 5

Spain

  • Recent Movie Trends in Spain
  • Value of Animation Industry in Spain
  • Size of Animation Industry in Spain
  • Government Support
    • PUBLIC FUNDING SYSTEM IN SPAIN
  • Role of Television Channels
    • TERRESTRIAL TELEVISION
    • CABLE TELEVISION
  • Animation Co-Production in Spain
  • Challenges
  • Strategies for Animation Studios in Spain
  • Key Statistics about Animation Studios in Spain
  • Animation Studios in Spain

Denmark

  • Challenges
  • Strategies for Animation Studios in Denmark
  • Value of Animation Industry in Denmark
  • Size of Animation Industry in Denmark
  • Animation Co-Production in Denmark
  • Animation Funding in Denmark
  • Animation Studios in Denmark

Sweden

  • Recent Movie Trends in Sweden
  • Animation film market in Sweden
  • Challenges
  • Strategies for Animation Studios in Sweden
  • Value of Animation Industry in Sweden
  • Size of Animation Industry in Sweden
  • Key Statistics about Animation Studios in Sweden

Hungary

  • Value of Animation Industry in Hungary
  • Size of Animation Industry in Hungary
  • Government Support
  • Industry in Transition
    • CO-PRODUCTIONS
    • FULL LENGTH FILMS
    • NATIONAL FILM FUND

Russia

  • Animation Film market in Russia
  • Globally successful Russian animations
  • Industry Drivers
  • Challenges
  • Industry Opportunities
  • Strategies for Animation Studios in Russia
  • Government support and Animation Funding in Russia
  • Animation Studios in Russia
  • Value of Animation Industry in Russia
  • Size of Animation Industry in Russia
  • Statistics on Animation Studios in Russia

Norway

  • Recent Movie Trends in Norway
  • Industry evolution and key Animation Productions
  • Key Animation Production Companies in Norway
  • Norway's first 3D Animated Feature Film
  • Animation Film market in Norway
  • Industry Drivers
  • Challenges
  • Industry Opportunities
  • Animation Funding in Norway
  • Value of Animation Industry in Norway
  • Size of Animation Industry in Norway
  • Statistics about Animation Studios in Norway

Czech Republic

  • Industry evolution and key Animation Productions
  • Successful Czech animations
  • Animation Film market in Czech Republic
  • Key Animation Production Companies in Czech Republic
  • Industry Drivers
  • Challenges
  • Industry Opportunities
  • Strategies for Animation Studios in Czech Republic
  • Animation Funding in Czech Republic
  • Value of Animation Industry in the Czech Republic
  • Size of Animation Industry in Czech Republic
  • Statistics about Animation Studios in Czech Republic

Turkey

  • Key Trends
  • Animation Studios in Turkey
  • Animation Schools in Turkey
  • Government Support
  • Challenges
  • Industry Opportunities
  • Industry Drivers
  • Strategies for Animation Studios in Turkey
  • Data on Animation Studios in Turkey

Poland

  • Recent Movie Trends in Poland
  • Successful Polish animations
    • INDUSTRY EVOLUTION AND KEY ANIMATION PRODUCTIONS
  • Key Animation Production Companies in Poland
  • Animation Funding in Poland
  • Industry Drivers
  • Challenges
  • Industry Opportunities
  • Strategies for Animation Studios in Poland
  • Value of Animation Industry in Poland
  • Size of Animation Industry in Poland
  • Statistics about Animation Studios in Poland

Netherlands

  • Recent Movie Trends in Netherlands
  • Successful Dutch Animations
  • Key Animation Production Companies in Netherlands
  • Animation Funding in Netherands
  • Industry Drivers
  • Challenges
  • Industry Opportunities
  • Strategies for Animation Studios in Netherlands
  • Value of Animation Industry in the Netherlands
  • Size of Animation Industry in Netherlands
  • Statistics about Animation Studios in Netherlands

Finland

  • Recent Movie Trends in Finland
  • Industry evolution and key Animation productions
  • Globally successful Finnish animations
  • Government Support

Figures and Tables

  • TABLE 1: LEADING EUROPEAN ANIMATION FILMS BY THEATRE ADMISSIONS
  • TABLE 2: LEADING EUROPEAN FILM COMPANIES
  • TABLE 3: LEADING EUROPEAN FILM SCHOOLS
  • FIGURE 1: CINEMA TICKET PRICES IN EUROPE
  • TABLE 4: LEADING EUROPEAN ANIMATION LICENSORS AND LICENSED PROPERTIES
  • TABLE 5: EUROPEAN ANIMATION FILM BUDGETS
  • TABLE 6: EUROPEAN ANIMATED FILMS
  • TABLE 7: ANIMATION FUNDING BODIES IN EUROPE
  • FIGURE 2: EURIMAGES CO-PRODUCTIONS FUNDING PATTERN
  • FIGURE 3: ANIMATION CO-PRODUCTIONS FUNDED BY EURIMAGES
  • TABLE 8: LEADING ANIMATION BROADCASTERS IN EUROPE
  • TABLE 9: LEADING ANIMATION DISTRIBUTORS IN EUROPE
  • TABLE 10: LEADING CHILDREN'S CONTENT BROADCASTERS IN EUROPE
  • FIGURE 4: GLOBAL ANIMATION CO-PRODUCTION NETWORK OF EUROPEAN STUDIOS
  • TABLE 11: ANIMATION CONTENT DEMAND FORECAST - TV CHANNELS IN EUROPE
  • FIGURE 5: BREAK-UP OF ANIMATION CONTENT DEMAND BY TV CHANNELS IN EUROPE
  • FIGURE 6: GERMAN BOX OFFICE STATISTICS
  • FIGURE 7: NUMBER OF SCREENS IN GERMANY
  • FIGURE 8: BOX OFFICE REVENUES IN GERMANY
  • FIGURE 9: CINEMA SEATS IN GERMANY
  • FIGURE 10: GERMAN FILM ADMISSION STATISTICS
  • FIGURE 11: GERMAN FILM ATTENDANCE INDEX
  • FIGURE 12: GERMAN FILM PRODUCTIONS PER YEAR
  • FIGURE 12: TOP TEN GERMAN FILMS IN 2015
  • TABLE 13: ANIMATION FEATURE FILMS PRODUCED IN GERMANY
  • TABLE 14: CHILDREN'S TV CHANNELS IN GERMANY
  • FIGURE 13: SIZE OF ANIMATION INDUSTRY IN GERMANY
  • FIGURE 14: ANIMATION CO-PRODUCTION NETWORK IN GERMANY
  • TABLE 15: REGIONAL FILM FUNDS IN GERMANY
  • TABLE 16: FINANCING SOURCES FOR FEATURE FILMS IN GERMANY
  • TABLE 17: FINANCING SOURCES FOR TV SERIES IN GERMANY
  • TABLE 18: ANIMATION SCHOOLS IN GERMANY
  • TABLE 19: ANIMATION STUDIOS IN GERMANY
  • FIGURE 15: NUMBER OF ANIMATION STUDIOS IN GERMANY
  • FIGURE 16: BREAK-UP OF ANIMATION STUDIOS IN GERMANY BASED ON SIZE
  • FIGURE 18: BREAK-UP OF ANIMATION STUDIOS IN GERMANY BASED ON APPLICATIONS
  • FIGURE 19: 3D ANIMATION SALARIES IN GERMANY
  • FIGURE 20: 2D ANIMATION SALARIES IN GERMANY
  • FIGURE 21: FLASH ANIMATION SALARIES IN GERMANY
  • FIGURE 22: GAMING SALARIES IN GERMANY
  • FIGURE 23: UK FILM ADMISSION STATISTICS
  • FIGURE 24: NUMBER OF SCREENS IN THE UK
  • FIGURE 25: BOX OFFICE REVENUES IN THE UK
  • FIGURE 26: UK FILM ATTENDANCE INDEX
  • FIGURE 27: UK FILM PRODUCTIONS PER YEAR
  • FIGURE 28: THEATRE ADMISSIONS IN THE UK
  • FIGURE 29: SIZE OF ANIMATION INDUSTRY IN THE UK
  • TABLE 20: ANIMATION FEATURE FILMS PRODUCED IN THE UK
  • TABLE 21: FILM FUNDING BODIES IN THE UK
  • TABLE 22: FILM COMMISSIONS IN THE UK
  • TABLE 23: CHILDREN'S TV CHANNELS IN THE UK
  • FIGURE 30: ANIMATION CO-PRODUCTION NETWORK IN UK
  • TABLE 24: ANIMATION STUDIOS IN THE UK
  • FIGURE 31: NUMBER OF ANIMATION STUDIOS IN THE UK
  • FIGURE 32: BREAK-UP OF ANIMATION STUDIOS IN THE UK BASED ON SIZE
  • FIGURE 33: CLASSIFICATION OF ANIMATION STUDIOS IN THE UK BASED ON CAPABILITIES
  • FIGURE 34: BREAK-UP OF ANIMATION STUDIOS IN THE UK BASED ON APPLICATIONS
  • FIGURE 35: 3D ANIMATION SALARIES IN THE UK
  • FIGURE 36: 2D ANIMATION SALARIES IN THE UK
  • FIGURE 37: FLASH ANIMATION SALARIES IN THE UK
  • FIGURE 38: GAMING SALARIES IN THE UK
  • FIGURE 39: ITALIAN FILM ADMISSION STATISTICS
  • FIGURE 40: NUMBER OF SCREENS IN ITALY
  • FIGURE 41: BOX OFFICE REVENUES IN ITALY
  • FIGURE 42: ITALIAN FILM ATTENDANCE INDEX
  • FIGURE 43: ITALIAN FILM PRODUCTIONS PER YEAR
  • FIGURE 44: THEATRE ADMISSIONS IN ITALY
  • TABLE 25: FILM FUNDING BODIES IN ITALY
  • TABLE 26: FILM COMMISSIONS IN ITALY
  • TABLE 27: ANIMATION FEATURE FILMS PRODUCED IN ITALY
  • TABLE 28: CHILDREN'S TV CHANNELS IN ITALY
  • FIGURE 45: SIZE OF ANIMATION INDUSTRY IN ITALY
  • FIGURE 46: ANIMATION CO-PRODUCTION NETWORK IN ITALY
  • TABLE 29: ANIMATION STUDIOS IN ITALY
  • FIGURE 47: NUMBER OF ANIMATION STUDIOS IN ITALY
  • FIGURE 48: BREAK-UP OF ANIMATION STUDIOS IN ITALY BASED ON SIZE
  • FIGURE 49: CLASSIFICATION OF ANIMATION STUDIOS IN ITALY BASED ON CAPABILITIES
  • FIGURE 50: BREAK-UP OF ANIMATION STUDIOS IN ITALY BASED ON APPLICATIONS
  • FIGURE 51: 3D ANIMATION SALARIES IN ITALY
  • FIGURE 52: 2D ANIMATION SALARIES IN ITALY
  • FIGURE 53: FLASH ANIMATION SALARIES IN ITALY
  • FIGURE 54: GAMING SALARIES IN ITALY
  • FIGURE 55: ANIMATION CO-PRODUCTION NETWORK IN FRANCE
  • FIGURE 56: SIZE OF ANIMATION INDUSTRY IN FRANCE
  • FIGURE 57: TELEVISION CONTENT PRODUCTION IN FRANCE
  • FIGURE 58: TELEVISION PRODUCTION BUDGETS IN FRANCE
  • FIGURE 59: INVESTMENTS BY FRENCH TV CHANNELS IN ANIMATION
  • FIGURE 60: COST PER HOUR OF ANIMATION BY FRENCH TV CHANNELS
  • TABLE 30: FILM COMMISSIONS IN FRANCE
  • FIGURE 61: FINANCING IN FRENCH ANIMATION
  • TABLE 31: FILM FUNDING BODIES IN FRANCE
  • TABLE 32: COST BREAK-UP OF SMALL BUDGET ANIMATION PRODUCTIONS IN FRANCE
  • TABLE 33: REVENUE SOURCE BREAK-UP FOR SMALL BUDGET ANIMATION PRODUCTIONS IN FRANCE
  • TABLE 34: ANIMATION FEATURE FILMS PRODUCED IN FRANCE
  • TABLE 35: CHILDREN'S TV CHANNELS IN FRANCE
  • TABLE 36: ANIMATION STUDIOS IN FRANCE
  • FIGURE 62: NUMBER OF ANIMATION STUDIOS IN FRANCE
  • FIGURE 63: BREAK-UP OF ANIMATION STUDIOS IN FRANCE BASED ON SIZE
  • FIGURE 64: CLASSIFICATION OF ANIMATION STUDIOS IN FRANCE BASED ON CAPABILITIES
  • FIGURE 65: BREAK-UP OF ANIMATION STUDIOS IN FRANCE BASED ON APPLICATIONS
  • FIGURE 66: 3D ANIMATION SALARIES IN FRANCE
  • FIGURE 67: 2D ANIMATION SALARIES IN FRANCE
  • FIGURE 68: FLASH ANIMATION SALARIES IN FRANCE
  • FIGURE 69: GAMING SALARIES IN FRANCE
  • FIGURE 70: SPAIN FILM ADMISSION STATISTICS
  • FIGURE 71: NUMBER OF SCREENS IN SPAIN
  • FIGURE 72: BOX OFFICE REVENUES IN SPAIN
  • FIGURE 73: SPAINISH FILM ATTENDANCE INDEX
  • FIGURE 74: SPANISH FILM PRODUCTIONS PER YEAR
  • FIGURE 75: THEATRE ADMISSIONS IN SPAIN
  • TABLE 37: ANIMATION FEATURE FILMS PRODUCED IN SPAIN
  • TABLE 38: CHILDREN'S TV CHANNELS IN SPAIN
  • FIGURE 76: VALUE OF ANIMATION INDUSTRY IN SPAIN
  • FIGURE 77: SIZE OF ANIMATION INDUSTRY IN SPAIN
  • TABLE 39: FILM SCHOOLS IN SPAIN
  • TABLE 40: FILM FUNDING BODIES IN SPAIN
  • TABLE 41: FILM COMMISSIONS IN SPAIN
  • FIGURE 78: ANIMATION CO-PRODUCTION NETWORK IN SPAIN
  • TABLE 42: ANIMATION STUDIOS IN SPAIN
  • FIGURE 79: NUMBER OF ANIMATION STUDIOS IN SPAIN
  • FIGURE 80: BREAK-UP OF ANIMATION STUDIOS IN SPAIN BASED ON SIZE
  • FIGURE 81: CLASSIFICATION OF ANIMATION STUDIOS IN SPAIN BASED ON CAPABILITIES
  • FIGURE 82: BREAK-UP OF ANIMATION STUDIOS IN SPAIN BASED ON APPLICATIONS
  • FIGURE 83: 3D ANIMATION SALARIES IN SPAIN
  • FIGURE 84: 2D ANIMATION SALARIES IN SPAIN
  • FIGURE 85: FLASH ANIMATION SALARIES IN SPAIN
  • FIGURE 86: GAMING SALARIES IN SPAIN
  • TABLE 43: ANIMATION FEATURE FILMS PRODUCED IN DENMARK
  • TABLE 44: CHILDREN'S TV CHANNELS IN DENMARK
  • FIGURE 87: VALUE OF ANIMATION INDUSTRY IN DENMARK
  • FIGURE 88: SIZE OF ANIMATION INDUSTRY IN DENMARK
  • FIGURE 89: GLOBAL ANIMATION CO-PRODUCTION NETWORK IN DENMARK
  • TABLE 45: FILM FUNDING BODIES IN DENMARK
  • TABLE 46: FILM COMMISSIONS IN DENMARK
  • TABLE 47: ANIMATION STUDIOS IN DENMARK
  • FIGURE 90: NUMBER OF ANIMATION STUDIOS IN DENMARK
  • FIGURE 91: BREAK-UP OF ANIMATION STUDIOS IN DENMARK BASED ON SIZE
  • FIGURE 92: CLASSIFICATION OF ANIMATION STUDIOS IN DENMARK BASED ON CAPABILITIES
  • FIGURE 93: BREAK-UP OF ANIMATION STUDIOS IN DENMARK BASED ON APPLICATIONS
  • FIGURE 94: NUMBER OF PEOPLE EMPLOYED IN THE DANISH ANIMATION INDUSTRY
  • FIGURE 95: 3D ANIMATION SALARIES IN DENMARK
  • FIGURE 96: 2D ANIMATION SALARIES IN DENMARK
  • FIGURE 97: FLASH ANIMATION SALARIES IN DENMARK
  • FIGURE 98: GAMING SALARIES IN DENMARK
  • TABLE 99: ANNUAL FILM ADMISSIONS IN SWEDEN
  • TABLE 48: LEADING FILMS IN SWEDEN
  • TABLE 49: ANIMATION FILMS PRODUCED IN SWEDEN
  • TABLE 50: CHILDREN'S TV CHANNELS IN SWEDEN
  • TABLE 51: FILM FUNDING BODIES IN SWEDEN
  • TABLE 52: FILM COMMISSIONS IN SWEDEN
  • FIGURE 100: VALUE OF ANIMATION INDUSTRY IN SWEDEN
  • FIGURE 101: SIZE OF ANIMATION INDUSTRY IN SWEDEN
  • TABLE 53: ANIMATION STUDIOS IN SWEDEN
  • FIGURE 102: NUMBER OF ANIMATION STUDIOS IN SWEDEN
  • FIGURE 103: BREAK-UP OF ANIMATION STUDIOS IN SWEDEN BASED ON SIZE
  • FIGURE 104: CLASSIFICATION OF ANIMATION STUDIOS IN SWEDEN BASED ON CAPABILITIES
  • FIGURE 105: BREAK-UP OF ANIMATION STUDIOS IN SWEDEN BASED ON APPLICATIONS
  • FIGURE 106: NUMBER OF PEOPLE EMPLOYED IN THE SWESISH ANIMATION INDUSTRY
  • FIGURE 107: 3D ANIMATION SALARIES IN SWEDEN
  • FIGURE 108: 2D ANIMATION SALARIES IN SWEDEN
  • FIGURE 109: FLASH ANIMATION SALARIES IN SWEDEN
  • FIGURE 110: GAMING SALARIES IN SWEDEN
  • FIGURE 111: PROMINENT HUNGARIAN ANIMATIONS
  • FIGURE 112: VALUE OF ANIMATION INDUSTRY IN HUNGARY
  • FIGURE 113: SIZE OF ANIMATION INDUSTRY IN HUNGARY
  • TABLE 54: ANIMATION FEATURE FILMS PRODUCED IN HUNGARY
  • TABLE 55: ANIMATION TV CHANNELS IN HUNGARY
  • TABLE 56: FILM FUNDING BODIES IN HUNGARY
  • TABLE 57: FILM COMMISSIONS IN HUNGARY
  • TABLE 58: ANIMATION STUDIOS IN HUNGARY
  • FIGURE 114: NUMBER OF ANIMATION STUDIOS IN HUNGARY
  • FIGURE 115: BREAK-UP OF ANIMATION STUDIOS IN HUNGARY BASED ON SIZE
  • FIGURE 116: CLASSIFICATION OF ANIMATION STUDIOS IN HUNGARY BASED ON CAPABILITIES
  • FIGURE 117: BREAK-UP OF ANIMATION STUDIOS IN HUNGARY BASED ON APPLICATIONS
  • FIGURE 118: NUMBER OF PEOPLE EMPLOYED IN THE HUNGARIAN ANIMATION INDUSTRY
  • FIGURE 119: 3D ANIMATION SALARIES IN HUNGARY
  • FIGURE 120: 2D ANIMATION SALARIES IN HUNGARY
  • FIGURE 121: FLASH ANIMATION SALARIES IN HUNGARY
  • FIGURE 122: GAMING SALARIES IN HUNGARY
  • FIGURE 123: KEY RUSSIAN ANIMATION PRODUCTIONS
  • TABLE 59: KEY RUSSIAN ANIMATION PRODUCTIONS
  • TABLE 60: CHILDREN'S TV CHANNELS IN RUSSIA
  • TABLE 61: ANIMATION STUDIOS IN RUSSIA
  • FIGURE 124: VALUE OF ANIMATION INDUSTRY IN RUSSIA
  • FIGURE 125: SIZE OF ANIMATION INDUSTRY IN RUSSIA
  • FIGURE 126: NUMBER OF ANIMATION STUDIOS IN RUSSIA
  • FIGURE 127: ANIMATION STUDIOS IN RUSSIA BASED ON SIZE
  • FIGURE 128: ANIMATION STUDIOS IN RUSSIA BASED ON CAPABILITIES
  • FIGURE 129: ANIMATION STUDIOS IN RUSSIA BASED ON APPLICATIONS
  • FIGURE 130: PEOPLE EMPLOYED IN THE RUSSIAN ANIMATION INDUSTRY
  • FIGURE 131: COST OF PRODUCING ONE EPISODE OF ANIMATION IN RUSSIA
  • FIGURE 132: ANIMATION OUTPUT OF RUSSIAN ANIMATION INDUSTRY
  • FIGURE 133: BREAK-UP OF ANIMATION OUTPUT OF RUSSIAN ANIMATION INDUSTRY
  • FIGURE 134: 3D ANIMATION SALARIES IN RUSSIA
  • FIGURE 135: 2D ANIMATION SALARIES IN RUSSIA
  • FIGURE 136: FLASH ANIMATION SALARIES IN RUSSIA
  • FIGURE 137: GAMING SALARIES IN RUSSIA
  • TABLE 62: LEADING NORWEGIAN FILMS
  • FIGURE 138: PINCHCLIFFE GRAND PRIX
  • TABLE 63: ANIMATION STUDIOS IN NORWAY
  • FIGURE 139: NORWAY'S FIRST 3D ANIMATED FEATURE FILM
  • TABLE 64: KEY NORWEGIAN ANIMATION PRODUCTIONS
  • TABLE 65: CHILDREN'S TV CHANNELS IN NORWAY
  • TABLE 66: FILM FUNDING BODIES IN NORWAY
  • TABLE 67: FILM COMMISSIONS IN NORWAY
  • FIGURE 140: VALUE OF ANIMATION INDUSTRY IN NORWAY
  • FIGURE 141: SIZE OF ANIMATION INDUSTRY IN NORWAY
  • FIGURE 142: NUMBER OF ANIMATION STUDIOS IN NORWAY
  • FIGURE 143: BREAK-UP OF ANIMATION STUDIOS IN NORWAY BASED ON SIZE
  • FIGURE 144: BREAK-UP OF ANIMATION STUDIOS IN NORWAY BASED ON CAPABILITIES
  • FIGURE 145: CLASSIFICATION OF ANIMATION STUDIOS IN NORWAY BASED ON APPLICATIONS
  • FIGURE 146: NUMBER OF PEOPLE EMPLOYED IN THE NORWEGIAN ANIMATION INDUSTRY
  • FIGURE 147: COST OF PRODUCING ONE EPISODE OF ANIMATION WORK IN NORWAY
  • FIGURE 148: ANNUAL ANIMATION CONTENT OUTPUT OF NORWEGIAN ANIMATION INDUSTRY
  • FIGURE 149: 3D ANIMATION SALARIES IN NORWAY
  • FIGURE 150: 2D ANIMATION SALARIES IN NORWAY
  • FIGURE 151: FLASH ANIMATION SALARIES IN NORWAY
  • FIGURE 152: GAMING SALARIES IN NORWAY
  • FIGURE 153: KRTEK
  • FIGURE 154: VECERNICEK
  • TABLE 68: ANIMATION STUDIOS IN CZECH REPUBLIC
  • TABLE 69: KEY CZECH ANIMATION PRODUCTIONS
  • TABLE 70: CHILDREN'S TV CHANNELS IN CZECH REPUBLIC
  • FIGURE 155: VALUE OF ANIMATION INDUSTRY IN CZECH REPUBLIC
  • FIGURE 156: SIZE OF ANIMATION INDUSTRY IN CZECH REPUBLIC
  • FIGURE 157: NUMBER OF ANIMATION STUDIOS IN CZECH REPUBLIC
  • FIGURE 158: BREAK-UP OF ANIMATION STUDIOS IN CZECH REPUBLIC BASED ON SIZE
  • FIGURE 159: BREAK-UP OF ANIMATION STUDIOS IN CZECH REPUBLIC BASED ON CAPABILITIES
  • FIGURE 160: CLASSIFICATION OF ANIMATION STUDIOS IN CZECH REPUBLIC BASED ON APPLICATIONS
  • FIGURE 161: NUMBER OF PEOPLE EMPLOYED IN THE CZECH ANIMATION INDUSTRY
  • FIGURE 162: COST OF PRODUCING ONE EPISODE OF ANIMATION WORK IN CZECH REPUBLIC
  • FIGURE 163: ANNUAL ANIMATION CONTENT OUTPUT OF CZECH ANIMATION INDUSTRY
  • FIGURE 164: 3D ANIMATION SALARIES IN CZECH REPUBLIC
  • FIGURE 165: 2D ANIMATION SALARIES IN CZECH REPUBLIC
  • FIGURE 166: FLASH ANIMATION SALARIES IN CZECH REPUBLIC
  • FIGURE 167: GAMING SALARIES IN CZECH REPUBLIC
  • FIGURE 168: ANNUAL FILM ADMISSIONS IN TURKEY
  • FIGURE 169: NUMBER OF FILMS RELEASED IN TURKEY
  • FIGURE 170: NUMBER OF TURKISH FILMS
  • FIGURE 171: ANNUAL FILM ADMISSIONS FOR TURKISH FILMS
  • TABLE 71: COMMERCIALLY SUCCESSFUL TURKISH FILM PRODUCTIONS
  • TABLE 72: ANIMATION STUDIOS IN TURKEY
  • TABLE 73: ANIMATION SCHOOLS IN TURKEY
  • FIGURE 172: NUMBER OF ANIMATION STUDIOS IN TURKEY
  • FIGURE 173: BREAK-UP OF ANIMATION STUDIOS IN TURKEY BASED ON SIZE
  • FIGURE 174: BREAK-UP OF ANIMATION STUDIOS IN TURKEY BASED ON CAPABILITIES
  • FIGURE 175: CLASSIFICATION OF ANIMATION STUDIOS IN TURKEY BASED ON APPLICATIONS
  • FIGURE 176: COST PROJECTIONS OF PRODUCING ONE EPISODE OF ANIMATION WORK IN TURKEY
  • FIGURE 177: ANNUAL ANIMATION CONTENT OUTPUT OF TURKISH ANIMATION INDUSTRY
  • FIGURE 178: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF TURKISH ANIMATION INDUSTRY
  • FIGURE 179: 3D ANIMATION SALARIES IN TURKEY
  • FIGURE 180: 2D ANIMATION SALARIES IN TURKEY
  • FIGURE 181: FLASH ANIMATION SALARIES IN TURKEY
  • FIGURE 182: GAMING SALARIES IN TURKEY
  • FIGURE 183: EARLY POLISH ANIMATION PRODUCTIONS
  • FIGURE 184: ACADEMY AWARD WINNING ANIMATION PRODUCTIONS FROM POLAND
  • TABLE 74: ANIMATION STUDIOS IN POLAND
  • TABLE 75: KEY POLISH ANIMATION PRODUCTIONS
  • TABLE 76: FILM FUNDING BODIES IN POLAND
  • TABLE 77: FILM COMMISSIONS IN POLAND
  • FIGURE 185: VALUE OF ANIMATION INDUSTRY IN POLAND
  • FIGURE 186: ANNUAL ANIMATION CONTENT PRODUCED IN POLAND
  • FIGURE 187: NUMBER OF ANIMATION STUDIOS IN POLAND
  • FIGURE 188: BREAK-UP OF ANIMATION STUDIOS IN POLAND BASED ON SIZE
  • FIGURE 189: BREAK-UP OF ANIMATION STUDIOS IN POLAND BASED ON CAPABILITIES
  • FIGURE 190: CLASSIFICATION OF ANIMATION STUDIOS IN POLAND BASED ON APPLICATIONS
  • FIGURE 191: NUMBER OF PEOPLE EMPLOYED IN THE POLISH ANIMATION INDUSTRY
  • FIGURE 192: COST OF PRODUCING ONE EPISODE OF ANIMATION WORK IN POLAND
  • FIGURE 193: ANNUAL ANIMATION CONTENT PRODUCED BY POLAND
  • FIGURE 194: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF POLAND
  • FIGURE 195: 3D ANIMATION SALARIES IN POLAND
  • FIGURE 196: 2D ANIMATION SALARIES IN POLAND
  • FIGURE 197: FLASH ANIMATION SALARIES IN POLAND
  • FIGURE 198: GAMING SALARIES IN POLAND
  • FIGURE 199: EARLY DUTCH ANIMATION PRODUCTIONS
  • FIGURE 200: ACADEMY AWARD WINNING ANIMATION PRODUCTIONS FROM NETHERLANDS
  • TABLE 78: ANIMATION STUDIOS IN THE NETHERLANDS
  • TABLE 79: FILM FUNDING BODIES IN NETHERLANDS
  • FIGURE 201: VALUE OF ANIMATION INDUSTRY IN NETHERLANDS
  • FIGURE 202: ANNUAL ANIMATION CONTENT PRODUCED IN NETHERLANDS
  • FIGURE 203: NUMBER OF ANIMATION STUDIOS IN NETHERLANDS
  • FIGURE 204: BREAK-UP OF ANIMATION STUDIOS IN NETHERLANDS BASED ON SIZE
  • FIGURE 205: BREAK-UP OF ANIMATION STUDIOS IN NETHERLANDS BASED ON CAPABILITIES
  • FIGURE 206: CLASSIFICATION OF ANIMATION STUDIOS IN NETHERLANDS BASED ON APPLICATIONS
  • FIGURE 207: NUMBER OF PEOPLE EMPLOYED IN THE DUTCH ANIMATION INDUSTRY
  • FIGURE 208: COST OF PRODUCING ONE EPISODE OF ANIMATION WORK IN NETHERLANDS
  • FIGURE 209: ANNUAL ANIMATION CONTENT PRODUCED BY NETHERLANDS
  • FIGURE 210: BREAK-UP OF ANNUAL ANIMATION CONTENT OUTPUT OF NETHERLANDS
  • FIGURE 211: 3D ANIMATION SALARIES IN NETHERLANDS
  • FIGURE 212: 2D ANIMATION SALARIES IN NETHERLANDS
  • FIGURE 213: FLASH ANIMATION SALARIES IN NETHERLANDS
  • FIGURE 214: GAMING SALARIES IN NETHERLANDS
  • FIGURE 215: FINNISH FILM ADMISSION STATISTICS
  • FIGURE 216: NUMBER OF SCREENS IN FINLAND
  • FIGURE 217: BOX OFFICE REVENUES IN FINLAND
  • FIGURE 218: FINNISH FILM ADMISSIONS PER CAPITA
  • FIGURE 219: FINNISH FILM PRODUCTIONS PER YEAR
  • FIGURE 220: THEATRE ADMISSIONS IN FINLAND
  • FIGURE 221: TICKET PRICES IN FINLAND
  • FIGURE 222: EARLY FINNISH ANIMATION PRODUCTIONS
  • TABLE 80: ANIMATION FEATURE FILMS PRODUCED IN FINLAND
  • TABLE 81: ANIMATION STUDIOS IN FINLAND
  • FIGURE 223: KEY FINNISH ANIMATION PRODUCTIONS
  • FIGURE 224: 3D ANIMATION SALARIES IN FINLAND
  • FIGURE 225: 2D ANIMATION SALARIES IN FINLAND
  • FIGURE 226: FLASH ANIMATION SALARIES IN FINLAND
  • FIGURE 227: GAMING SALARIES IN FINLAND
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